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zdenekMember
I guess it settled then. Thanks guys, this thread has been very rewarding.
zdenekMemberActually, it’s a relatively rare microphone model that came bundled with some Korg products such as the MicroKorg. For what it’s worth, the name is Korg GM-23D. It’s got a male XLR connector, so I’ll still need an XLR/Jack adapter.
picture for reference:
https://www.adorama.com/images/300×300/kogm23d.jpgzdenekMemberGot it!
Regarding microphones, I have a shitty 1/4″ one, but I’m planning on using a slightly better one for taking to venues. It has the following specs:
Quote:XLR jack (balanced), Maximum input level: -40dBu@GAIN:max, Input source impedance: 14kΩFrom what I’m reading, this is “Hi-Z”, so I’m spared of any extra arrangements, right?
zdenekMemberHi gvelasco,
Thank you very much. I was expecting bronze and I got gold—your reply being both enlightening and a money saver!
Quote:I don’t know about this. I don’t have one, so I haven’t had the chance to experiment with it. Still, this would be a volume / signal level issue, not an “acoustics” issue.Point well taken about the signal processing “acoustics”. I’m left wondering, though, if perhaps you have experimented with similar EHX pedals such as HOG2 or POG2? I’ve noticed many people choose either a SE+ with POG2, or a HOG2.
Quote:Here’s a video of someone running their voice through it.I swear I UTFSE! I see this guy is probably an impedance matching adapter like you said.
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