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synthaxeMember
The only way to really tell is to try it. I use a lot of pedals for things they weren’t really ever intended for. One example is when I bought my Maestro W2: The maestro was never really designed to work with a guitar signal, It was designed to work with a woodwind, so when I plugged my guitar into it there wasn’t enough signal to drive it. Not even my OD808 boosted it enough. I got to thinking, and what I ended up trying (and still do) is using my 16 Second Digital Delay in DSP Bypass mode and cranking the Dry Out. This provides more than enough signal to drive the W3. Now I understand that this is not ideal, but when I want to play around with my W3 it does work. Point being, you’ll never know until you try. One thing I would watch out for (and I believe someone already mentioned this,) is pushing a digital amp too hard. Digital distortion that is pushed beyond where it’s “comfortable” is usually not very appealing. Just remember, don’t get caught up in “this was designed for this, not that” type of stuff. If it sounds okay to you, go with it. Pedals are tools, use them in anyway that will get the job done. A lot of it is preference, especially when it comes to boosts of any kind.
synthaxe
synthaxeMemberI’ve done minor stuff, but nothing to speak of. Where can I purchase the slider switch? The SSDD switch(es) are narrower and taller than the standard slider switches they used to use. Is there anything I need to be cautious of? Do you know how the slider switch actually mounts? Is there an easy way of doing this? I’m not a pedal repair tech, and don’t pretend to be, but physical parts (switches, jacks, pots, etc.) usually aren’t a problem for me. That being said, I don’t know anything about the inside of a SSDD, plus it’s expensive and rare. I guess if nobody here has changed a switch on one of these I’ll just call EHX and play it safe. However, if someone has, and can give me some pointers, please do. Either way, thanks guys!
synthaxe
synthaxeMemberQuote:Quote:Quote:i’ve got a q-tron that looks brand new with the wooden box, adapter, user instruction paper and the warranty card. interested?Absolutely. Big Box Q-Trons are one of my favorite effects. There are only two things I need to know…how much? and have you or anyone else ever adjusted any trimpots inside of it? I’m fairly new to this forum; is there anyway we can send personal messages on here?
Click on the username and select PM on their info page.
Thank ya.
synthaxeMemberQuote:you are correct, it is 24V, i am sorry i confused it with my Holier Grail.Hey Mr. Grimm,
I noticed you said that you have a Holier Grail. I recently got one myself, and can’t seem to coax any good sounds out of it. Any suggestions? What are your settings? Do you run it through your effects loop or up front? Etc…I’m just trying to really give this pedal a chance before I give up on it….I don’t know, mabey there’s just something about digital reverb that doesn’t appeal to me. Anyhow, let me know if you have any good settings to try out with the Holier Grail. Thanks.
synthaxeMemberQuote:i’ve got a q-tron that looks brand new with the wooden box, adapter, user instruction paper and the warranty card. interested?Absolutely. Big Box Q-Trons are one of my favorite effects. There are only two things I need to know…how much? and have you or anyone else ever adjusted any trimpots inside of it? I’m fairly new to this forum; is there anyway we can send personal messages on here?
synthaxeMemberThis is the pedal that I’ve been waiting for someone to come out with for a long time. There’s a lot of nice analog/moog synth style guitar pedals out there to choose from (such as the ehx micro synthesizer), but the the Superego Synth Engine’s more amient/atmospheric style synth sound has been missing from the guitar pedal market in my opinion (correct me if I’m wrong of course.) It seems that now I/we can get Fripp’s Soundscapes style sounds without having to buy $20,000 worth of gear. I love how it has an effects loop in it as well. I can only imagine what kind of sounds can be created. Especially when layering it into a 16 Second Digital Delay or 2880. A Momentary Lapse Of Reason all day and night long….can’t wait for it!
synthaxeMemberQuote:Quote:Hey EH Man,I have a small clone and an issue j small stone. Both have the 1/8″ input for power supply on the back. Where can I get the correct supplies for these? 1/8″….? Thanks.
Much appreciated..
synthaxeMemberHahahha, yeah I’m not a huge fan of changing batteries either (especially with the price of 9v’s) but the Seymour Duncan Classics have a massive amount of headroom, organic tone, and they’re dead quiet. I’d rather run passives anyday over EMG’s though. I can’t believe you ran a 1 spot to power your pickups!! What a pain in the butt that must have been! haha. But then again I guess you didn’t have to worry about batteries!
Yea your totally right. I believe the input gain on the 16 is analog (so it shouldn’t actually sound that terrible when it breaks up a little) but it does, so mabey your right, mabey I just need to take it to my tech and have him calibrate the damn thing. I agree that it’s weird that both would be acting the same (which is why I think it’s something I’m doing,) but as I’m sure you know….weirder things do happen when it comes to gear. Plus I’m with you when it comes to dirt…I want it from my amp, or a pedal that’s designed to provide it, NOT from overloading input gains. Especially when I’m trying to get a clean thing going.
PS – I’ll let you know on that input gain slider passing signal or not when it’s all the way down when I get home.
synthaxeMemberQuote:Hi ya’ll. I’m new to the EHX community and would like to say my first pedal is amazing! BASS BIG MUFF PI! My problem is that I can’t seem to find the serial # inside/outside the pedal itself or on the box it came in. Not on the warranty/registration card either. I Bought the pedal from GEARTREE on 4-20-12 brand new. They said that they don’t track items by serial # & that the serial # should be inside the unit, but I only see what looks like part numbers on the various components that make this pedal great. Can someone help me? I’d like to register the pedal before the 10 day deadline expires: in 2 days! Thanks. any help would be appreciated. Peace!I had the same problem when I bought my Big Muff Pi with Tone Wicker. I couldn’t find the SN anywhere! Anyhow, I ended up just not registering it because it sounds so bad compared to my older big muffs (imo) that even if something were to go wrong with it I just wouldn’t care as all it does is sit in its case anyhow. But yea, I always did wonder where that serial number was as well! I believe there was a sticker on box, but I can’t remember. I must not have thought it was a SN either way.
synthaxeMemberQuote:It has a 1/8″ jack on the back for an 18vdc supply. The plug is 1/8″, positive tip.Hey EH Man,
I have a small clone and an issue j small stone. Both have the 1/8″ input for power supply on the back. Where can I get the correct supplies for these? 1/8″….? Thanks.
synthaxeMemberYou know what, I can’t say 100% if there is a small amount of signal present or not when the input gain slider is all the way down….I can’t remember! I can certainly find out when I get home though.
Do you run passive pickups through your 2880? Also, don’t you have an issue with volume loss when you run your 2880’s input gain way down? Idk, mabey I’m just missing something here.
I want to be able to use this live though, so I gotta figure something out! I guess I’ll just wire up some passive Dimarzio’s I have laying around the house and start the process of elimination. I didn’t want to have to do that but both of my guitars are active right now.
synthaxeMemberHello Cryabetes,
Thanks for the response, and no it’s not patronizing I’m just glad you responded! Basically, I have tried it up front, and in my loop (Mesa Boogie Mark IV and/or V) both with and without any effects. I’ve basically tried everything possible. I’ve even tried it up front with no effects in the loop, and in the loop with no effects up front. Also with the loop hard bypassed (just to see.) When I do play it with effects, it goes:
WHEN UP FRONT WITH EFFECTS: guitar – boss noise suppressor (with Diamond Comp, Maxon OD808, and Boss CE-5 all in the noise suppressor’s “loop.”) out of the boss noise suppressor – ehx 16 second delay – amp.
WHEN IN LOOP WITH EFFECTS: fx send – ehx q-tron – ehx stereo polychorus – moog mf-101 lowpass filter – ehx 16 second digital delay – ehx deluxe memory man.
That would be my “main/go-to” line of effects that are always in the chain, but like I said, I’ve even tried it up front and in the loop with no other effects at all. I would chalk it up being the active pickups if it weren’t for the fact that the 16 second responded and sounded great with the actives when I first received it. But also, my second 16 second delay is doing the same thing so it’s obviously something I’m doing. This sucks because that is one hell of a looper and I want to use it.
Not a bad idea at all on turning it down and running a booster after it. The only problem I can think of there is that when I run straight into it now, it overloads basically until I turn the input gain slider all the way down to off. Let me know if you think of anything else man! Thanks…..it’s gotta be the actives preamp overloading it. I mainly play the clean channel and it’s only when I really dig in on a chord that the 16 second really starts clipping. It’s a terrible sound though. It had a ton of headroom when I first got it….can’t think of what I’m doing that any different from then…
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