wow…never tried distortion then compressor…I put my boost right after my compressor then into my distortion…I should try dist->compressor…

This pedal is never off when I use it…which is at all my gigs where I run stomp-boxes. The most basic position to start off with is with the knob at nine o’clock. I like to put it between nine and twelve o’clock (adjusting with which ever group I’m playing with because some bands are loud, and happy-hour gigs need to be quiet.) Any setting from twelve o’clock and beyond, you get natural overdrive…even when plugging in straight to the board. When you put this before a distortion, and I always do, the intensity of the distortion just comes alive…don’t know quite how to explain it…just sounds ballsier. All in all, this is one of the best, AND cheapest, pedals I’ve ever purchased…AND…I’m planning on getting at least two more…you HAVE to get one to see for yourself.

A few months ago, a few local musicians and myself got one…now everyone else in numerous bands are getting one…only after hearing, trying it and finding out how cheap it is…

You know, I rather love the tap-tempo on this delay unit because other tap-tempos seem harder to operate. I’ve owned the Boss GigaDelay and still have the Boss Space Echo and the tap tempo on those two were slightly more difficult that the one found on the Mem. Boy Dlx.