Well, obviously they’re just abbreviations derivated from their names, for example, BMP stands for “big muff pi” OM – octave multiplexer, and so on. it’s not just an ehx thing, people often abbreviate pedals just by their first letter, like sho (super hard on) TTE (tube tape echo) etc. . they sure are convenient! use them wisely. there is no list.

I kind of like both the PH-1 and the small stone. I would use them both, because, even being the same effect they produce a different sweep. The thing is getting things shipped from the us to argentina is a real mess, at least for me, I don’t have a credit card, and here we aren’t used to mailing stuff, so even getting pedals from other cities is already complicated. Sometimes vintage pedals are really overpriced, or are literally impossible to find. But one day I’ll get both PH-1 and an old SS.

what kind of music do you play with those pedals/sg/ebow/slide? anything recorded?

I have the 5 knob one, search on youtube “Deluxe Octave Multiplexer EHX” and one demo made by me should come up. I’ll post the link later. If you have any questions, feel free to ask

I was just asking because I live in Argentina and I have never found in our mercadolibre such a low price as 10 bucks.

if you want to merge 2 signals into one and fade in the fx out of the wah, other pedal might do the trick. i think the boss ls-2 is what you want, but i’m not sure if it does what you want. anyways, good luck on that!

before delays and mod. you could put it between, but you’ll freeze just one point of the modulation sweep, and probably you’ll bug the freeze, which would be awesome if done right.

mod pedals add the original signal plus the modded (effected) signal, so it creates a boost, specially with chorus since it doubles what you play. then distortion amplifies this difference in signal loudness and well, that’s your problem. or at least that’s what happens to me with my chorus, I have a slight boost. I don’t know if you can understand me, but the fx loop is probably a good solution