Forum Replies Created
-
AuthorPosts
-
puretubeMember
Instead of an expression- (rocker-) pedal,
you can also hook up a CV (control-voltage)
to the exp.-jack…i.e.: modulation from your favorite Synth or Sequencer, or PC, or LFO,
or Drum-to-Trigger envelope generator, or Noisegate trigger-output,
or Metronome, or Killswitch…(see the WORM-Instructions
).
puretubeMemberThis was an ad from ~6 or 7 years ago, that EHX sent out to their customers:
puretubeMemberPlace the Muffin physically away from the Wah…
(the x-former located left of the footswitch inside the tube-pedals may induce some hum into the coil inside the wah-pedal).puretubeMemberQuote:Quote:I got this last Christmas and I can still say I don’t know how to use it. However, I can still coax some wild sounds out of it. I was even able to get an auto-wah sound from it, amongst the sounds you listed. It could benefit from a better manual, though.I have worked a lot with the Flanger Hoax since it was a prototype until now. It is truly one of the most exciting modulation instruments ever built. I programmed synthesis for virtually every keyboard company, as am independent programmer, from the early 80’s until the early 2000’s. The approach that you have to take with the Flanger Hoax is very similar. Not is synthesis but in how relevant paramiters interact to create the summed sound. It is definitely not a box that you open and then run with it. You have to invest time and you definitely have to write each program down because a minor error in setup can take you to a whole new planet OR another great sound. You invest some time and you will be rewarded big time.
You just need to learn the interaction. I will try to find some of my old program sheets and put them up but give me a little time because my studio has changed. I use it for one shot sound design in film noow. I tend to never save sounds once I am certain I will not need it any further.
What a creative tool for anyone interested in unique, musical and colorful modulations. My sonic favorite here and I love almost all of our designs. The sonic potential never gets old and that means a lot when you do not want to follow the same old crowd.
Rick
EH
I`ll gratefully accept that statement as an early christmas present…
Thanx, Rick!Have a nice one yourself, and a prosperous new year.
Ton.
:wave:puretubeMemberSorry, the “Creamy Dreamer” story was told first and fully at “DIYstompboxes” forum,
but you`ll have to register at: “DIYstompboxesforum” before being able to view the “Lounge”…puretubeMemberReported! keep `em coming…
puretubeMemberPut the BMP & Micro Q before…
BTW: preset-sheet by the graphic designer himself… on the H-C forum. (Kudos, Anthony!)
puretubeMemberconcerning: “sound” it`s identical, overall;
just a little more tweakability towards nuances…puretubeMemberAre “Theremin”s generally regarded as instruments?
puretubeMemberNot to be mixed-up with this one:
puretubeMemberyes it does, and he can… (not “copperfold”, though…)
puretubeMembersustain for weeks on end…………………………………………………………………..
puretubeMemberQuote:Who has one of these?me, since ~25 yrs…
[EDIT]: working, and in good condition…
puretubeMemberUrgently paging David C. … !
puretubeMemberAt a certain point (of course again depending on the signal source strength and the input gain setting…) the filtered/distorted signal becomes “saturated” because it exceeds the maximum clipping voltages near the power-supply rails,
and no matter how much harder you drive the input,
the absolute output-amplitude can`t get higher;but: it will go more distorted/fuzzed the harder you drive it,
because the signal slope will get steeper,
and distortion onsets earlier… -
AuthorPosts