sorry……

im one of those people who always wants to use stuff not ow its intended…think i have just been led into luxury by the TC harmony G,

if Im playing a song that has me on my own for the verses and harmony on the choruses…i dont at any point have a spare “empty” bar or time to punch through all the settings to go right round in a circle from my “reverb only” to my “harmony on” options…

im just really supprised EH didnt think of this, surely the solo singer on verses then harmony on choruses is like a complete standard…if you used this for a whole song all the way through with harmony on i think you would end up sounding a bit boring.

on the other hand the cut out from the harmonys and reverb so just plain dry is really noticable

i know i could add a reverd unit after but pedal space it at a premium.

shame this one little thing has stopped this been a 100% winner..all they had to do was leace the “dry revrerb” activa s an option even in bypass..how hard would that be !?!?

in relation to your question, i find that to hear a “50/50” mix of my voice and harmony I actually need to be at about 1 oclock on the mix dial so its leaning a bit towards the harmonies

also i find that you have to be “out and proud” about your vox..it you are self concious and feeding it a limp signal it goes all over but if i belt it out like i mean it, the tracking holds well…

if you think of trad guitar octavers this is exactly what they did…the initial signal would track fine, then as the note decayed they would begin to wobble.

also i am setting the voices with more reverb and lowering my own vocal as i find i sit better in the mix and it helps me auto tune to myself

good luck