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  • in reply to: i made a fuzz pedal #99930
    Ned Flanders
    Moderator

    Building pedals is a lot of fun but I haven’t built anything for months. I’ve lost interest in it I think, I’m more into guitars and wring now. I always go back and forth between guitar wiring and effect building it seems. Coming up with new ways to wire your guitar can be just as fun as building a pedal if you get creative.
    anyways, here’s some good places to learn how to make pedals:
    http://www.diystompboxes.com
    http://www.freestompboxes.org
    http://www.tonepad.com
    http://www.buildyourownclone.com/
    http://www.moosapotamus.com/
    http://gaussmarkov.net/wordpress/
    http://experimentalistsanonymous.com/board/
    http://www.beavisaudio.com/index.htm
    http://www.home-wrecker.com/fuzz.html
    http://www.runoffgroove.com/
    http://fuzzcentral.ssguitar.com/

    :)

    in reply to: Blink-182 is Back!!!! #99602
    Ned Flanders
    Moderator

    I never liked them myself, I always thought their music sucked!

    in reply to: Best way to turn Micro Pog on and off quietly? #98539
    Ned Flanders
    Moderator

    Its the nature of the mechanics of a 3PDT switch I’m afraid!

    Ned Flanders
    Moderator
    Quote:
    Hey, as I understand it, there are differences regarding the layout of parts in the different issues of the small stone…the main thing is, you have to identify the “effect input” like ned flanders wrote: not on the input jack, but the input on the circuit board (the spot where the signal is fed to the phaser) – then you run a wire to ground.

    Cheers, Michael

    No you don’t, you wire the switch so when its in bypass mode the input of the circuit is switched to ground. If you just wire the circuit to ground it wont work,ever.

    Ned Flanders
    Moderator
    Quote:
    @ Ned Flanders: Thanks a lot! Works great now!

    Cheers, Michael

    Cool.

    @the above post, you just have to wire it like the guy above you did and it wont oscillate in bypass mode.

    Can you locate the effect input and output wires?

    in reply to: How did you learn to love music? #98922
    Ned Flanders
    Moderator

    For me it was around 1983-4, I was 5-6 YO and I used to listen to my sisters music, mostly the finn brothers split enz (which I no longer listen to but appreciate the talent). I had a ukulele at 3-4 but I never took to it. When I was about 12 I got my first slayer record, south of heaven, and that set in stone my love for heavy and powerful guitar riffs. The record itself was a present from my sister to my brother but he didn’t like it so he handed it down to me. I basically listened only to slayer till I was 13 then I got the bleach record by Nirvana and I started listening to other pacific NW bands and the pixies, the cure, RHCP, babes in toyland and sonic youth mostly. From the time I heard bleach I’ve been THE biggest nirvana fan ever since. When I was 13 I was gonna buy a drum kit cause I liked the beats the RHCP had going and thought I was destined to be a drummer. I never had the money to buy a kit, nor did my parents so 2-3 years later I got the guitar instead, mostly influenced by slayer riffs to do so. I got my first guitar at 15-16, it was an electric strat ripoff, I had an Ibanez soundtank distortion and peavey 10 watt amp, the guitar didn’t sound right so I ripped the bridge single coil out and hacked the pickguard up with a knife and installed a DiMarzio super distortion humbucker. I still have this humbucker… its in my Jaguar. The first song I learned was one I wrote myself (I’ve long forgotten what it was), I have never been big on playing other peoples music so writing songs just came natural to me. I didn’t have a tuner for a while in the beginning so I used to use alternative tunings a lot until I bought one. At 15 my love-lust of Fender Mustangs and Jaguars started to become an obsession and till this day they are still my favorite guitars.
    My biggest musical influences (that which you can actually hear coming thru in my music) would be nirvana’s bleach and incesticide albums, slayers south of heaven, the melvins houdini and various pixies tunes and sonic youths daydream nation. Although my tunes sound original you can definitely tell where my musical influences are from.
    My intense love for the big muff only truly happened about 5 years ago. Although I always liked Mudhoney’s sound and I knew a lot of it was a big muff it took me a long time to actually buy one for myself. Partly due to EHX not being in existence in the 90’s when I wanted one and a lack of old big muffs in my towns second hand stores.

    I love music, but most of the bands I listen to were around in/since the 80’s and 90’s, I rarely buy new bands music, although an exception comes along every 5-10 years or so.

    All in all, I’m very fussy with music, I’m not a perfectionist, not by a long shot, but I’m very strict about the bands I listen to, they really have to have something special to get my attention among all the crudy bands that exist.

    in reply to: Audible advantage in gold-pin tubes? #98853
    Ned Flanders
    Moderator

    I A/B’d sovtek 12AX7 and EHX gold pins 12AX7’s and I chose to keep the sovteks.

    in reply to: Transistor Version BIG MUFF PI #98843
    Ned Flanders
    Moderator

    What I don’t like is that there’s this myth on the interwebz that only vintage Big Muffs are any good…what, EHX cant make good pedals anymore?!?!?!?!

    I have a mix of both vintage and modern and they all sound good and very similar, the differences are subtle!

    in reply to: Transistor Version BIG MUFF PI #98805
    Ned Flanders
    Moderator
    Quote:
    The 70S EHX pedals have some of the worst soldering I’ve ever seen on a commercial product.

    Yes, Yes they do!

    in reply to: LED Visuals #98804
    Ned Flanders
    Moderator

    Neither of the options.

    On vintage EHX I dont install LEDs because that would ruin the aesthetics of it.
    On modern pedals they have them so its fine.

    I dont need LED on my pedals but if they have them thats fine too, its a non issue to me really.

    in reply to: Transistor Version BIG MUFF PI #98790
    Ned Flanders
    Moderator
    Quote:
    Quote:
    OPAMP big muffs havent been made since 1979, all current big muffs are NPN and use BC550C or 2N5088 transistors.
    BTW, they ALL sound cool as fuck!

    Let’s do a quick vote, which Big Muff Pi had you rather have on your pedal board?
    1. An early 70’s “triangle knobs” Big Muff / mid 70’s “Ram’s Head” Big Muff? OR
    2. A current Big Muff?

    Note: David Gilmour used a triangle knobs Big Muff similar to the one on the far left, on most all of Pink Floyd’s early recordings and 70’s tours. I guess he had no idea what the hell he was doing.

    My favorite muffs?

    1) My 1978 OPAMP big muff with tone bypass.
    1.5) My Big Muff with tone wicker.

    And I hate David Gilmour and pink floyd and that style of music. IMO, the triangle muff is one of the worst, its thin sounding compared to other versions but that’s on account of the 0.1uF caps whereas other versions have 1uF caps. If you swapped the caps in the triangle muff for 1uF I’d like it.

    in reply to: Transistor Version BIG MUFF PI #98795
    Ned Flanders
    Moderator

    It really no surprise the myth started that they were made from old soviet tanks IMO, they look like some piece of soviet militaria.

    I’m still not happy with the way mine sounds, I been planning on turning int into a ramshead muff (10uF input cap version) for a while now but I’m too lazy to get around to it.

    in reply to: Transistor Version BIG MUFF PI #98792
    Ned Flanders
    Moderator

    To clarify, I love the way green sovteks look, and that’s why I own one, but I hate the sound so that’s why its modified.

    in reply to: Transistor Version BIG MUFF PI #98739
    Ned Flanders
    Moderator
    Quote:
    The new Big Muffs may have a modern type of NPN transitor but they are not the same NPN or PNP transitors used in the old Big Muffs, I have examined them ad nauseum. Some other things such as types of wiring, resistors, quality of solder connections, etc…have changed which definitely make a difference.
    .
    Quote:
    DON’T FEED ME THAT CRAP THAT THE NEW BIG MUFFS ARE EVEN CLOSE TO THE 70’S VINTAGE BIG MUFFS!!!
    I’ve A/B’d them to many times, especially the vintage “Ram’s Head” PNP transistor version and the “Pointed Knob” Red & Black graphic NPN transistor version against the new American & Russian garbage. The “Rams Head” versions have a distinct scooped mids tone which I don’t particularly care for but D. Gilmour seemed to use quite well.
    Quote:

    I like my 1979 BIG MUFF, it has more bottom-end, and the fuzz tone has more midrange grind or bite with articulation. You can actually hear the notes in bar chords. With the new Big Muffs the tone is a muffled roar, mushy slurry of notes, when you play chords plus the new ones are really, really, noisey. Vintage components is the only answer I can arrive at for the difference.

    Its a wonder you needed to post this thread, being such an expert and all!
    Its also a wonder you didn’t realize the IC big muff hadn’t been made for 30 years.

    I cant begin to tell you how subjective your posts are, and they are nothing but subjective misinformation, I wont offer you a technical rebuttal about the circuitry of the big muff because it would make no difference, you seem to have your conclusions, all subjective, none objective.

    in reply to: Whats this big muff worth #98670
    Ned Flanders
    Moderator

    They are worth around US$100-US$150.

Viewing 15 posts - 391 through 405 (of 897 total)