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  • December 24, 2012 at 10:48 am in reply to: Ravish Sitar + Flanger Hoax video #118574
    nakedzen
    Member

    Made another one. :)

    http://youtu.be/EsNRx7goX1g

    This time through a high gain channel with the fx in the loop since there weren’t really any that showed how they sound like this.

    December 22, 2012 at 7:20 pm in reply to: Ravish Sitar + Flanger Hoax video #118571
    nakedzen
    Member

    Thanks! Bill’s videos are a big inspiration to me, but I wouldn’t dare to compare this random noodling to his demos. :D

    December 21, 2012 at 12:14 pm in reply to: Post your Pedalboard #118562
    nakedzen
    Member

    Haven’t posted here in ages, but since I got the Floax and the Ravish and love them both, here it is. :D

    tOOXc.jpg

    AMT Japanese Girl Wah – Pigtronix Fat Drive – Kemper – Ravish Sitar – Flanger Hoax – TC Flashback – Copilot Gyroscope – ZCat Polyoctaver2

    December 4, 2010 at 8:50 am in reply to: V256 #112884
    nakedzen
    Member

    I had similar issues with the Voice Box, it seems that it drives the microphone signal too hard. Have you tried the mic gain switch to turn the input down? This helped with the VB somewhat.

    November 4, 2009 at 1:02 pm in reply to: What all can the HOG do? Resonator Guitar? Cello? 12 String ? Bass? #103321
    nakedzen
    Member
    Quote:
    WOn’t the delayed attack make a bass guitar simulation sound unnatural and out of time? I agree on a 12 string simulation it would probably sound more realistic but for bass I don’t think it would work. Am I missing something?

    Maybe I worded it incorrectly. I meant the attack is softer like on a real bass guitar, not a “snap” like on a guitar.

    October 28, 2009 at 8:54 pm in reply to: What all can the HOG do? Resonator Guitar? Cello? 12 String ? Bass? #102802
    nakedzen
    Member

    I’ve never tried getting a resonator guitar sound out of it, but I don’t think so. There’s a cello effectology of it. Bass and 12-string it can sort of do, but I like the Zcat Polyoctaver way more for those since it has a delayed attack on the octaves making it more convincing sounding.

    What I’ve heard it do pretty convincingly (mostly on the effectology series) are harmonica, cello, violin, a lot of synth tones, organ and whistling. I think using the envelope and filter sections are crucial in getting something else than just organ tones out of it. And a “less is more” approach to tweaking it.

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Viewing 6 posts - 1 through 6 (of 6 total)