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  • Myles
    Member

    Thanks for the reply. I have actually just started doing something similar to what you mentioned and have been measuring out the size of certain pedalboard dimensions using a measuring tape and sheets of paper stuck together to see if things will fit. I am now pondering whether to go for a flat board that come in flight cases or maintain my interest in the raked board option like the Pedaltrain and Warwick rock boards.

    in reply to: Post your Pedalboard #120844
    Myles
    Member
    Quote:
    Hello everybody again!

    After a long period (over three years more or less), I’ve completely updated my pedal boards. While some of them have had minor changes, others have been drastically reworked or arranged for new projects. Let’s start!.

    I’m currently playing with three different bands. Each one has its own guitar, amp & FX setup as follows: 1 amp, 2 guitars (each one has a different tuning) and 3 pedal boards per band (I tag them “I”, “II” and “III”). What I usually do is trying different combinations – a total of six possibilities per band.

    This is what I use when I play with “ZARAPOLIS” (pop-rock, similar to U2, Pink Floyd, and some 80’s and 90’s bands). I use a pair of modified Jazzmasters with D Standard and C Standard tuning:

    I:

    [img]https://7fa54g.blu.livefilestore.com/y2pD6Rxag5A6GrlfkwtBXHA8N6lRUoyA5dVjI7BrX-6LXvjEPwLNi9C1OJCrSdPAYJbzg6R__orauifahWx9RJdIq1EGVIW0dRl3ShI6jB6kI0/Zarápolis I (FINAL VERSION).JPG?psid=1[/img]

    Signal path: Guitar -> VoodooLab Sparkle Drive -> Boss TU-2 -> EH DMM RI (131 BPM version) -> EH SMM/Hazarai -> Amp (Sovtek MiG 100 + Framus 2 x 12″ cab).

    II:

    [img]https://7fa54g.blu.livefilestore.com/y2p5CxzCJx5NTcWOvUK_O0BxV7hfnrsg1_kkajOmbJD7Cpw6jny94QvHZ0QDKHvWVHnnLFUhGJtiIcPBXeBKCnVks4U8Iv5_5aT1dmp9heZaKw/Zarápolis II (FINAL VERSION).JPG?psid=1[/img]

    Signal path: Guitar -> Boss TU-2 -> MXR Distortion+ -> EH DMM RI (120 BPM version) -> Maxon AD-999 Analog Delay -> Amp (Sovtek MiG 100 + Framus 2 x 12″ cab).

    III:

    [img]https://7fa54g.blu.livefilestore.com/y2pICf25uMnJeYq-TTddIMkU_SYW2giAVCTUSjYHuVSfITdr-SP7pcRZ9vX2hLNoLqg-8Necg9M8s9c_lEBdWnACkPTtknxVA0-l7lVr4HpKMM/Zarápolis III (FINAL VERSION).JPG?psid=1[/img]

    Signal path: Guitar -> Boss TU-2 -> EH Octave Multiplexer RI (early 2000’s) -> EH Big Muff Pi USA RI v9 (first RI from 2000’s) -> EH Stereo Polychorus RI (early 2000’s) -> MXR Carbon Copy Analog Delay -> Dedalo FX Maquina del Tiempo Delay -> Amp (Sovtek MiG 100 + Framus 2 x 12″ cab).

    This is what I use when I play with “LANA LEE” (instrumental psychedelic rock). I use another pair of modified Jazzmasters with E Standard and C Standard tuning:

    I:

    [img]https://7fboha.blu.livefilestore.com/y2pWfd6SOFtoxq6GxMBaru6SQ7FpSc6FYq3_mwatNwqPzai5IiI16Q8muAG3PrwjhxsorQqxy9sLadzbzo7bBIGDWX8Bdaeo7ADBhSZSBuaBQY/Lana Lee I (FINAL VERSION).JPG?psid=1[/img]

    Signal path: Guitar -> Boss TU-2 -> EH/Sovtek “Green Russian” Big Muff Pi -> EH Small Stone v1 (placed in a loop) -> EH POG -> Boss DD-2 Digital Delay -> Boss DD-20 Digital Delay -> Amp (Sovtek MiG 100 + Sovtek 4 x 12″ cab).

    II:

    [img]https://7fboha.blu.livefilestore.com/y2pVxazXp5OyqJW4GfDFfGIPbMUzuocTIqdH-zJv72yF8leRLiHtIS2xO4Wm0AD9pUvCk-tjC_9tpwx0PQgiUJ1_qJ4kcYJD5xhPxQqdJScHOI/Lana Lee II (FINAL VERSION).JPG?psid=1[/img]

    Signal path: Guitar -> Boss TU-2 -> EH Hot Tubes Overdrive (early version) -> EH Small Stone v2 -> Boss DD-2 Digital Delay -> Boss DD-7 Digital Delay -> Amp (Sovtek MiG 100 + Sovtek 4 x 12″ cab).

    III:

    [img]https://7fboha.blu.livefilestore.com/y2pJ6gbbKlBQXIJJtIbIQ5m3yyVFOJZOFKZMN-a-ladkoKKvwKBfgnSGpm7FFEs158mQYWkCKlEI3GGkN8k52j8SMTsrW93kLD02ordhUBcZds/Lana Lee III – FINAL VERSION.JPG?psid=1[/img]

    Signal path: Guitar -> MXR Blue Box-> Boss TU-2 -> EH NYC Big Muff Pi USA v5 (Op-amp version w/Tone Bypass, dating from 1978) -> EH Frequency Analyzer RI (later RI) -> EH Small Stone USA v4 (RI from early 2000’s) -> EH DMM RI (142 BPM version) -> Boss DD-7 Digital Delay -> Amp (Sovtek MiG 100 + Sovtek 4 x 12″ cab).

    This is what I use when I play with “CAMILLE” (post-rock/hardcore). I use a heavily modified Stratocaster (E Standard tuning) and a modified Jazzmaster (D Standard tuning):

    I:

    [img]https://fljk5a.blu.livefilestore.com/y2ptZUthGQk7-1WVoMmm2KXt7vdGnMlyO0R6aVbfv9QstUCe6OdAgMmoQPR5QiWQtOhCtaJKUC4x8O-wZsBVVUTqZpHkqo-5sFM_kb7nmt_iNQ/Camille I – guitar (FINAL VERSION).JPG?psid=1[/img]

    Signal path: Guitar -> Boss TU-2 -> Crybaby GCB-95 (Red FASEL+TBP) -> EH Frequency Analyzer RI (early 2000’s RI) -> EH Big Muff Pi USA RI “Rev A” (early version) -> EH Deluxe Big Muff Pi “Blend On/Off version” (1977) -> EH Micro Synthesizer RI (early 2000’s RI) -> EH Pulsar Tremolo -> EH DMM (160 BPM version) -> Amp (Sovtek MiG 100 H + Sovtek 4 x 12″ cab).

    II:

    [img]https://fljk5a.bn1301.livefilestore.com/y2p1uk0TCrJ6-yKolZe6vR5fBPkf5l6yVyf2qsjNXc2cmx2vlIBI7gI9eGIJEZ8_KGwyxDdE2BuxaBkbp1m6AqrjctAIDrNsgsVujW_dPlEOd0/Camille II – guitar (FINAL VERSION).JPG?psid=1[/img]

    Signal path: Guitar -> Boss TU-2 -> EH Octave Multiplexer RI (later big box RI) -> EH Big Muff Pi USA RI “Rev A” (later version) -> EH Big Muff Pi USA RI “Rev E” -> EH Pulsar Tremolo -> EH DMM (142 BPM version) -> Amp (Sovtek MiG 100 H + Sovtek 4 x 12″ cab).

    III:

    [img]https://fljk5a.bn1.livefilestore.com/y2pSPW6jb4cHI84BjltkBoQw5ec4Srg4ADRoGQ8ia8BF-J3GRl1cc2Il09Aem8L4oAZt-4Ift9BDKrMghXHFEdt62jS5IKUyC7gpe__dEgB-GQ/Camille III – guitar (FINAL VERSION).JPG?psid=1[/img]

    Signal path: Guitar -> Boss TU-2 -> EH Deluxe Big Muff Pi “Parallel/Series version” (1978) -> Aramat Green Machine Overdrive -> Aramat Tubular Tremolo -> EH DMM (158 BPM version) -> Amp (Sovtek MiG 100 H + Sovtek 4 x 12″ cab).

    Regards!

    Nacho.

    Hi Nacho, love the boards particularly the use of many vintage/reissue big EHX pedals. What were the multi power supplies you were using for the smaller pedals. One was called ‘baby’? I haven’t heard of those before, at least not in the UK. Are they isolated?

    Also, whose make of pedal boards are you using? I have a couple of big EHX pedals and I’m not sure what size of board or manufacturer would be best.

    in reply to: Memory Boy – feedback knob goes crazy #114947
    Myles
    Member

    Well, I let the pedal warm up and yes it did have longer delay/feedback times, although post 3 o’clock on the feedback knob is still impossible. I wouldn’t say its sold the problem entirely but it is much better. I’m going to try it with my cheapy digital delay in the chain, see what happens.

    in reply to: Memory Boy – feedback knob goes crazy #114920
    Myles
    Member

    Allow it warm up!? With it switched on at the pedal or just with the adapter plug switched on?

    I have spent the evening looking at You Tube vids of people demoing the MB and two guys have been able to get the feedback knob all the way around to 5 o’clock with no self oscillation. This is what i want but am having trouble achieving!! They are able to get the classic decay sound while I can get bugger all, is it really all to do with temp or is each MB different because of the analogue circuitry?

    in reply to: Memory Boy – feedback knob goes crazy #114913
    Myles
    Member

    Thanks for the reply friend.

    So, am i right in thinking then that a Memory Boy is better for appying to solos/single note work rather than to chords?

    many thanks

Viewing 5 posts - 1 through 5 (of 5 total)