Forum Replies Created

Viewing 8 posts - 1 through 8 (of 8 total)
  • Author
    Posts
  • March 16, 2014 at 9:05 pm in reply to: EHX 12ay7 mic pre broken tube? #119771
    mariuste86
    Member

    Nevermind, it was a dead battery on a sansamp bddi before the 12ay7 that was causing the distortion, so no problem with the mic pre.

    January 18, 2014 at 4:16 am in reply to: EHX pog power converter #119629
    mariuste86
    Member

    Ok, thanks, I will give it a search then.

    January 17, 2014 at 7:58 pm in reply to: EHX pog power converter #119627
    mariuste86
    Member
    Quote:
    No. They’re different.

    What do you suggest then.. Do you know who sells the power supply for the POG 1 in Europe? Thomann.de sells
    power supplies compatible for micro POG, cant find for POG.

    January 17, 2014 at 6:29 pm in reply to: EHX pog power converter #119625
    mariuste86
    Member

    I actually have the POG 2 too purchased in Europe..can I just use the adapter supplied with the POG 2 on the
    Pog 1? In that case I wont need a power converter.

    June 1, 2011 at 2:39 pm in reply to: Let’s Play… ID That Pedal! #115400
    mariuste86
    Member

    Oh and I remembered reading as far as on stage, the Fender Twin Reverb is for show and the piano tuner… I guess after the piano and all the equipment it goes straight to the mixing board / PA of the venue. But with recording I think they definitely mic the amp.[/quote]

    No, the CP 70 live sound is a mix of the amped sound from the Fender Twin and the DI sound from the mixing desk. The CP 70B has to output channels. Each channel has one balanced and one unbalanced output. As far as I know, one unbalanced output channel (like a guitar) is routed through the pod and straight into the Twin amp. The balanced output is routed to the mixing desk. I bieleve you have read from this article: http://www.sninety.com/news/keane_int.php, where Tim said:

    “But I want to set up a new system where I can run the CP70 through a bunch of pedals and into the
    twin, just as you would a guitar.”

    This is exactly what he does now.

    May 30, 2011 at 2:12 pm in reply to: Let’s Play… ID That Pedal! #115367
    mariuste86
    Member

    Yes, the Yamaha CP 70B doesnt have midi, and you dont need midi to get use of the effects and amps inside the pod. The Pod xt has midi in and out though. You just route one channel output from the
    piano into the input of the pod. I am not sure about the pod xt PRO, but on the xt studio versions there is to unbalanced outputs. You also have the options to connect pedals.
    It has to be said though that I think for the pod to function properly, you may need proper amplifiers. Because I have used it most with my digital piano, connected with studio monitors and all the effects comes out nicely, but when I connect it to the CP70 with studiomonitors only, the
    pod doesnt function properly, but I think this has to do with the studiomonitors.. or it is maybe that the ouput gain on the CP 70 is different from a digital piano. I am not sure, I am not an
    expert:) I am going to buy proper amplifiers for my CP 70 anyway.
    Hope this helps:)

    May 29, 2011 at 11:45 pm in reply to: Let’s Play… ID That Pedal! #115360
    mariuste86
    Member

    Yes, you are right about that, but with the pod you can combine the effects, you also have the option to choose from different amp simulation models based on the most known vintage amps..
    Also, you can combine different amps with cab/AIR models. As for Keane, I know they use Fender “The Twin” amp for the piano live, which also is modeled in the pod.

    Cheers

    May 29, 2011 at 4:25 pm in reply to: Let’s Play… ID That Pedal! #115356
    mariuste86
    Member

    Hello

    I have also an Yamaha CP 70B and is ofcourse a Keane fan..If you are after recreating sounds from UTIS like
    Is it any wonder etc., buy a Line 6 Pod xt/Pod xt pro. Much easier way to go, all in a single box. They use this live.

  • Author
    Posts
Viewing 8 posts - 1 through 8 (of 8 total)