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Kevin DemuthMemberQuote:there also making clones of EH pedals now, big muff, small stone, electric mistress, they also have a tube distortion in a big muff style box.
they’ve been making those for several years now…
One of the reasons they can sell their products for such low prices, is that much of what they make uses ‘borrowed’ designs – they do very little research and development themselves.
examples include the EHX/Boss/Sansamp clones for pedals, the XENYX mixers – ‘inspired’ by the Mackie Onyx range, and some of their rack processors and preamps – ‘homages’ to dbx and others.
Kevin DemuthMemberThe tube pedals require their own specific PSU.
You can buy a replacement EU power supply easily and cheaply; check with your local EHX dealer or distributor…
or buy one from Thomann: http://www.thomann.de/es/electro_harmonix_12ac_1000_eu_netzadapter.htm
Kevin DemuthMemberI like those kind of ebay listings… where people don’t know what they are selling… or maybe they just can’t read!
Behringer “XENTY” 😆
I’ve heard those mixers are OK actually… the XENYX range of mixers are ‘based on’ the excellent Mackie Onyx series.
Kevin DemuthMemberQuote:I think the bigger kaoss pads have those controls. The mini KP has no input/output control as far as I know. The only input is dual phono and apparently it can be a bit choosy with inputs that aren’t line level.Fair enough.
I have only ever used the original Kaoss Pad and the V3, and from what I remember they both had mic inputs and gain controls.
Quote:This ego thing sounds good. Does this mean the LPB-1 would be effective as it’s pretty much the same thing?A small mixer sounds good, anyone have any recommendations for something around 20-30£?
I’m not sure an LBP-1 will do the job to be honest…
you could get a proper mic preamp for near enough the same price – you can get an ART Tube MP for around £35.a mixer would be the way I would use it, but I’m not sure there’s anything suitable in the £20-30 price bracket… and certainly nothing I’d recommend.
If you stretch the budget to around £50 you should be able to get a used Soundcraft/Spirit mixer (the ‘Notepad’ or ‘Compact 4’ for example).Kevin DemuthMemberQuote:Has anyone tried this?I want to run a microphone into a kaoss pad and have been told I should use a preamp between the two. Will this suffice?
I thought the Kaoss Pad had a mic input with a gain control…
You should be OK plugging a normal (un-powered) dynamic mic into it.
If you really want to use a preamp, there are LOADS of options for all budgets, or you could use a small mixer – this will give you extra flexibility; you could set-up the Kaoss Pad as a send/return effect and have extra control over effect levels, EQ etc.
Kevin DemuthMemberQuote:Ok thanks guys.
I went into the shop where they were selling it and they didn’t have the power supply, which i thought was a bit weird.
I guess I just don’t like to put my trust in batteries, but I’m guessing the battery life must be good then?Thanks.
Yes, usually batteries last a long time in analogue dirt pedals; they usually have very low current draws.
You’d need to disconnect your input cable when not in use though, as this disconnects the battery.
(Leave your cable plugged in and the pedal remains powered, therefore draining the battery.)Kevin DemuthMemberre: the “dodgy little mini-jack thing”
those 3.5mm jacks were the standard on all(?) American-made pedals for many years; see EHX, DOD, Pro Co etc…
what is now the ‘standard’ 2.1mm was typically found on pedals of Japanese origin, but due to the large market share companies such as Boss command, it made sense to make that the standard.* * *
If you need a power supply, you can get something suitable from many electronics outlets with interchangeable connectors…
Or buy a ‘standard’ 9v PSU and a 2.1mm-3.5mm adaptor…
Or buy a daisy chain-type (One Spot, Diago Powerstation etc) or ‘brick’-type (Fuel Tank, Pedal Power etc) power supply which will come with various different connectors and will be able to power several pedals at once.Kevin DemuthMemberI don’t expect to find a power supply included with my pedals…
If you look at the majority of other manufacturers (at all price points), very few give you a PSU with the pedal.
EHX DO include a power supply with their (mainly digitial) pedals which either cannot be battery powered or – due to the power requirement – would drain a battery too fast for battery powering to be a valid option.
(They also include a PSU with pedals which require greater than 9v powering.)In this day and age, where many people have pedalboards and already have an adequate power supply, it makes little sense to include a PSU with low draw, analogue pedals such as the Double Muff.
Kevin DemuthMemberI don’t know about the Nano Clone, but the trimpot in the Small Clone is for bias and shouldn’t really be touched… the usable range of the Small Clone’s trimpot is fairly narrow – adjusting it may lead to the pedal sounding distorted/lo-fi in the best case scenario, to completely killing your signal in the worst.
(the only time I’d advise adjusting the Small Clone’s trimpot is if the effect is overloading/clipping in normal use – just guitar->pedal->amp.)I’d assume one of the Nano’s trimpots would be for bias too and the other one may be for effect depth…
at the end of the day, it’s your pedal so it’s up to you if you want to tweak the trimpots…
if you do, make sure you mark the original position(s) first.Kevin DemuthMemberQuote:I wonder how much more would it cost to produce the pedals with better switches, like other manufacturers do. We’re talking about music after all, and in my view effect units shouldn’t produce unwanted noise (nor force people to turn their amps louder).Which other manufacturers are you referring to?
You’ll find that a lot of boutique and higher-end manufacturers use the SAME type of footswitches as EHX.
Kevin DemuthMemberQuote:I just bought an Electro Harmonix Memory Man with Hazarai. I’m amazed how loud the footswitches are. I mean when I step on them, or even press them with a finger as softly as I can, they produce a very noticeable mechanical click.
As far as I’m concerned, this renders the pedal completely unsuitable to be used in a live setting. I understand that other people’s music may have enough decibels to drown the clicking, but most times I play soft music, or at least with very soft moments, and I often play solo.
Of the two switches on the pedal, the right side one (bypass) is the worst offender. It must be pressed really hard, and makes a loud clunk, louder than a drummer’s rim shot. I even think it may be defective.
But the left switch (record/tap) is also too loud, enough for the whole audience to hear me tap a tempo.
Is there a way to reduce the noise or replace the switches with silent ones without voiding the warranty?
I’m on a 30-day trial period, and I’ll return the pedal if I can’t solve this. That would be a pity, because I think it’s a nice pedal otherwise.
Thanks.the left (tap/record) footswitch can be easily replaced with a ‘soft-touch’ switch. but that will immediately void your warranty.
but, truthfully, are you exaggerating the level of the click just a little bit?
Kevin DemuthMemberQuote:truthfully, i dont like most of the tones i get from ityou don’t like the BMPTW?
i don’t think a compressor is going to help in any way whatsoever…
an EQ would be more useful in altering the sound, but you may be better off trying a different fuzz/distortion altogether.
what kind of amp are you using?
Kevin DemuthMemberQuote:whats this contest?i don’t use Facebook, but i think the contest being talked about is a photo competition:
take a picture of all of your EHX pedals; whoever has the most pedals wins some goodies (inc. a pedal bag and T-shirt).if that is the case, that’s the kind of competition i don’t really approve of; there isn’t a level playing field and for the winner, it will be a case of the rich getting richer.
i can envisage that whoever ends up winning the competition will be someone with an obscene number of pedals, and who probably wouldn’t appreciate the prizes as much as someone else may.
i’d prefer it if the competition involved some kind of thought and creativity on the part of the entrants… like Boss/Roland used to do with their ‘Adventures With Your Boss’ competition (where you had to take a picture of Boss/Roland product in a funny/unusual/unexpected/etc situation.
Kevin DemuthMemberQuote:Quote:and i hear the micro pog isnt. . .strangeIt is a bit strange, the bypass on the micropog is great imo, if ‘true bypass’ wasn’t such a selling buzzword then we might have been able to have it on all the XO’s, I’d bet it would solve every ‘volume drop’ complaint we ever get on here. IMO high quality well designed output buffers are the way forward but ill-informed consumers demand clunky old noisy mechanical switching instead … :freak:
i totally agree!
i find it kind of strange that most manufacturers make a big deal of using true bypass switching, when it’s actually a bit of a cop out; true bypass is easier and cheaper to implement than a decent buffer would be!
there are some companies who still use buffers; obviously the likes of Boss, but also higher end pedals by the likes of Tech 21, Award-Session, Durham Electronics and Roger Mayer.
Kevin DemuthMemberQuote:yh after i have the lp flter slider up after about 3 lines i can hear a change with the upper octaves but i thought you could perhaps use the upper ones without having to use the filter, or do you have to use the filter to use the upper ones ?thanks mate
oh, it sounds like it’s working correctly then…
the octaves always go through the filter section.
when the filter is ‘off’, the slider will be all the way UP…
as you bring it down, you are filtering off the treble frequencies, so it makes sense that with the filter slider dialed right down, you won’t hear much in the way of treble, so the upper octaves will be heavily attenuated.does that make sense?
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