(updated)

1. POG2
2. Deluxe Memory Man
3. Stereo Memory Man with Hazarai
4. Germanium OD
5. Pulsar
6. Micro Pog
7. Little Big Muff (XO)
8. NYC Big Muff
9. Small Clone
10. Small Stone
11. LPB-1
12. Soul Preacher
13. Muff Overdrive
14. Mole
15. Stereo Electric Mistress
16. Bass Balls (NYC)[/quote]

yeah, give it a try :thumb:

although, the Dr Q reacts to your playing dynamics so that’s why i suggested putting it after the compressor.

the Micro Pog, in my experience can be used pre- or post-dirt; it still tracks perfectly after heavy fuzz but i found that with some Micro Pog settings, that if you run it into a fuzz/distortion it may get a bit muddy.

it’s all a matter of personal preference though.

in theory it could be done…

but you’re going to need to add buffers and make other modifications to the circuit… and you’d probably have to re-house too.

for the BYOC Delay for example, there’s a mod to allow for delay trails, but that involves finding the point in the circuit where the repeats are mixed back with the direct signal and diverting it… that will more than likely be VERY difficult with the Memory Toy (which i’m assuming uses surface mount components) and will be beyond most DIY pedal modders/builders.

1. POG2
2. Stereo Memory Man with Hazarai
3. Germanium OD
4. Pulsar
5. Micro Pog
6. Little Big Muff (XO)
7. NYC Big Muff
8. Small Clone
9. Small Stone
10. Deluxe Memory Man
11. Stereo Electric Mistress
12. LPB-1
13. Bass Balls (NYC)

i’d be very surprised if the tracking (on the +/-1 octaves at least) isn’t as good as the Micro Pog.

you can do this with a Boss PS-5; there are several modes, one of which allows you to drop (or raise) the pitch by (iirc) 1,2,5,7,12 or 24 semitones.
i had one for a little while but didn’t spend that much time using it – but i do remember it sounding pretty good.
the only issue though – and this seems to be common with pitchshifting effects as it happens with my Micro Pog and rack effects too – is that lowering the pitch seems to slightly ‘soften’ the attack of your notes.

the GeOD is very different to a Double Muff (even in single mode); it doesn’t have as much gain for a start.

the GeOD does have several uses for me though…
1) i play clean a lot of the time in my music, so the GeOD can be used as a different clean ‘colour’; it adds a little compression too which i like.
2) with the gain (near to or) all the way up it makes a great od/boost which is very sensitive to playing dynamics and changes made to my guitars controls* (* with the pedal first in line.)
3) used after other dirt pedals as a kind of ‘enhancer’. set clean it adds a thickness and clarity to most other dirt pedals i’ve tried with it; or you can go for more extreme settings where it’ll add a different ‘texture’ to your other pedals or completely transform them.

i don’t really have any use for the ripped speaker-like settings (at the moment).

another way i’ve been using the GeOD lately has been while mixing… i’ve used it on an Aux send from my mixer to process selected tracks or even a full mix.

i may just have to tell everyone else though!!! 😆