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KartoonHeadMember
I just assumed that the Headphone Amp was a headphone amp, not a personal practice amp, but I’ve just gone and looked at it and it’s neither!
It seems to be selling itself as a kind of VOX Amplug, for ‘personal practice’ but it’s not voiced for guitar. It would do the job of a single stereo studio headphone amp, but that’s not how it’s marketed.
It reads to me like it’s meant to be a real headphone amp, but there’s been a mix-up and it’s been marketed as a personal practice amp. Very strange indeed.
KartoonHeadMemberQuote:It’s the wonders of Digital stuffWell actually it’s the wonders of EHX’s digital stuff, because most other digital pedals, be it Boss, Behringer, Digitech, Marshall, the usual bunch, can’t take a hot signal in, let alone track it! They clip nastily and AD converters clipping is one of the harshest sounds around, second only to nails on a blackboard. As a general rule you don’t put any drive or signal boosting pedal before a digital one for this very reason. I’ve got a Marshall RG-1 which is a digital modulation pedal, and just picking too hard will make that bugger distort!
EHX > the rest
KartoonHeadMemberQuote:I’m from the greatest place on EarthNorth East England
:thumb:
I think you mean Wales.
I’m from Wales. The one in the UK, the original one.
KartoonHeadMemberBill did electric synth sounds in this (my personal favorite) episode of Effectology;
KartoonHeadMemberI’ve done this live before using a Behringer GI100 (DI Box with a cab-sim button) which is designed to take the signal directly from your amp, but it’s just not the same, really not the same, it won’t get you anywhere near the sound of a digital modelling thing like a POD, and a POD won’t get you anywhere near the sound of a good amp.
After experiencing it first hand I’d say it’s not where you’ll want to invest your cash, because it’s really not worth it, more of a home recording thing than a live performance thing.
KartoonHeadMemberIn addition to what you’re doing now I’d turn down the neck pickup on your bass, right down, and if you’ve got an EQ unit or pedal I’d roll off some of the low-end before putting it into the HOG, then mix in some of your dry signal, only a little, because you’ll want the sound of your pick attacking the strings to come through un-shifted, this will help to make it sound more natural.
That’s all I can think of that Bill didn’t mention.
Hope this helps
KartoonHeadMemberTo give the user a good idea of what it does it should be called the ‘Ann Widdecombe’. Doesn’t get much saggier than that.
KartoonHeadMemberHaha, someone got sand in their vagina.
I think you are confused; I was referring to the voltage controlled oscillator, from what I could tell from quickly looking over the pedal it was simply a tunable drone. That’s what you can DIY for next to nothing. If it’s something else then I do apologise! As for the harmony thing you were talking about the Ring Thing can do any interval you like up to 2 octaves above or below.
Please don’t get angry and nasty for no real reason, this is not a place for venting infantile angst.
KartoonHeadMemberTry standing much further away from your amp; I’ve found that some octave pedals will give you train sounds (like the wheels clicking on the tracks) if you (with guitar in-hand), the pedal, and your amp are in close proximity. Spread it all out and see if it goes away.
Hope this helps, certainly helped me
KartoonHeadMemberPortamento it is, not glissando, but no worries.
A pedal JUST for this doesn’t exist as far as I know, but you could probably put money on the EHX lab having something like this in the pipeline. It’s right up their street.
The V256 will get you the sound, but glide isn’t it’s only function, and the price-tag reflects as-such. Still not even half as expensive as the following however;
Pogtronix Mothership; it is very cool, but it doesn’t do much which you couldn’t get from buying several (far far faaaaaar) cheaper pedals, other than the glide obviously, but the Ring Thing can do all the ‘intelligent ring modulator’ and whammy sounds (plus a gazillion extras), the Octave Multiplexer will get you the sub octave (again, with extras) and you can build your own square wave/sawtooth generator with mix control for about £20. I’m not saying it’s a crap product but it’s totally not worth £350.
Hope this helps
KartoonHeadMemberI don’t think this will be a problem anymore, my POG2 came today, brand new, and it doesn’t suffer from this defect. It seems EHX have managed to stamp it out!
Good times
KartoonHeadMemberCan you make a ‘Deluxe Green Back$’ that also prints British Pounds and Yen?
KartoonHeadMemberCarmine; that pedal is beautiful, love the name too xD but it’s too normal for EHX, it’d need to be something like the TC Electronics PolyTune (Polyphonic Tuner) whereby you strum all strings at once and it tells you which ones are out. http://www.gear4music.com/Guitar-and-Bass/TC-Electronic-PolyTune-Polyphonic-Tuner/CER
But yea, I’d totally buy that.
KartoonHeadMemberSounds like a nasty case of dead pedal, and since the holy grail is digital it’s likely dead for good, unless you maybe still have the warranty somewhere? I’d contact Electro-Harmonix if I were you and see if there’s anything they can do for you. Their contact email address can be found via the ‘Support’ tab on the main page.
KartoonHeadMemberGlad to hear it! Any chance of getting some clips? I do love clips ^^
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