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julianModeratorQuote:Quote:nice clip!!!! Really interesting drone stuff going on
BTW I’m reading your sig. You don’t want a Dunlop DC Brick. You want a Voodoo Labs PP2+.
oh yeah? is it better at isolating the ground of my pedal and getting rid of the noise and switch poping?
because for now, I’m getting shocked everytime I touch my jack cable plug in my Sunn Solarus and one of my pedal! I’ve changed the polarity switch on the amp and didn’t fix it?
I’ll have my tech friend look at my Sunn soon…it needs some new caps…it’s really scary when you look at the schematic…there’s like 560V at some places…ouch! anyway it’s for another story, another thread…
thanks for the comments.
The thing is that the DC Brick doesn’t have isolated outputs and it can’t do other voltages. If you get a POG2 and a Cathedral like you put in your sig, you probably would want them isolated. The EHX digital pedals are generally big current consumers and don’t like to share power.
julianModeratornice clip!!!! Really interesting drone stuff going on
BTW I’m reading your sig. You don’t want a Dunlop DC Brick. You want a Voodoo Labs PP2+.
julianModerator:doh: I forgot the link!!!
This one: http://www.youtube.com/watch?v=T7jcnuN9vAw
Or like the beginning of this video:
http://www.youtube.com/watch?v=EeM3ffcDYx8
well actually most of the settings in that video accentuate the filter sweeps
julianModeratorI mean the time in the video.
I want to hit a chord and have it go bwwwwwwwwwwwwwwwaaaaaaahhhhhhhh and then hit another chord and have it go mwwwwwwwwwwwwwwwwahhhhhhhhhhhh
July 20, 2009 at 10:48 pm in reply to: I did some more HOG demos, at Ghost’s request. Some SMMH action as well. #99777julianModeratorthank you
July 20, 2009 at 9:43 pm in reply to: I did some more HOG demos, at Ghost’s request. Some SMMH action as well. #99773julianModeratorWell right now I do it in parallel, but because of the dry slider I could be doing it normally as well, and that’s I usually did it.
Yeah, you just really quickly pull all the way back on the expression pedal and then push it back forward when you hit a root note. I’ve just got the -1 and -2 octaves on with a bit of low pass filter
julianModeratorWhat I’m looking for in the Riddle is stuff like this:
2:00 to 2:30, 4:50 to the end.
I’m mainly talking about those smooth resonant filter swells. That’s what I don’t like about a lot envelopes- the attack is very very quick and not super smooth, and the decay can vary but usually kind of gurgles (which can be cool.)
With the attack and decay I’m hoping to hear that in the Riddle.
julianModeratorin your clips and videos, could you try to get some slow attack microsynth type filter sounds?
julianModeratortip ring sleeve
meaning that it is has a stereo plug instead of a mono plugjulianModeratorProbably. Is it TRS?
julianModeratorI’m thinking of getting one so that my hollow body guitars (which don’t have a lot of sustain) aren’t so plinky with the HOG
julianModeratorand when you do, you will make us clips
julianModeratorI’m thinking about getting a compressor sometime myself.
Some other forumites use them very well, though I’d like how to use it as an effect and a tone shaper instead of just having it be an always on sort of thing.
julianModeratorI’d assume they’re both pretty low. Fuzzes and distortions generally don’t use to much. You could probably daisy chain several other pedals off the adapter with no noise issues.
julianModeratorwell this guy says he is going to use his for gigging, that it sounds good, and has clean headroom:
https://www.ehx.com/forums/viewthread/1415/And now that I think about it, an old bandmate of mine used to gig with a 22 watt vibrolux and didn’t even have to crank it. (And then there was me with my 135 watt Bassman!) So maybe I’m wrong.
If you’ve got the right cab, it helps a lot.
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