Micro POG
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Knobs:
Octave Up
Octave Down
Clean
Ins/outs”
Input, output, dry out

POG
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Sliders:
Input gain
Dry output
Octave down
Octave
Octave + Detuned
2 octaves + detune
Low pass filter (controls the cutoff value)
Switches:
LPF modes (filter resonance, q)
Outputs:
input, output, dry out

POG2
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Sliders:
2 Octaves Down
Octave Down
Octave Up
2 Octaves Up
Dry
Attack (makes the effect volume swell after you pick it)
LP Filter (controls the cutoff value)
Switches:
Dry FX- changes whether the detune and filter effect the dry signal or not
Q- same as on POG LPF Modes
Presets:
8 presets, accessible with the preset knob or the preset stompswitch
Outputs:
Input/Output- no dry out

HOG
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sliders:
Input Gain
Dry
Original (same octave as your dry signal, but can be subject to the different FX)
-2 octaves
-1 octave
a 5th
1 octave
1 octave + a 5th
2 octaves
2 octaves + a 3rd
3 octaves
4 octaves
attack decay 1 (controls -2, -1, original, a 5th, 1)
attack decay 2 (controls 2 through 4) (Attack/decay allows you to make notes swell in or fade quickly)
low pass filter
low pass filter resonance
switches:
spectral gate (alters the harmonic content of the signal, to get more sine-wave like tones)
expression reverse: (changes the direction that the expression pedal works, also allows you to bend notes down)
expression: (changes expression modes- 1 octave bends, 1 step bends, volume, wah, filter, freeze + gliss, freeze +
volume)
Envelope foot switch: turns on/off the attack decay
expression foot switch: acts like pushing down on the expression pedal.
presets:
if you get the preset pedal, you can have six
ins/outs:
input, output, dry out, midi, expression, presets

The HOG is freaking awesome.
The selling point is really the expression modes for me. Bending full chords, freezing stuff. Plus all the other controls are icing on the cake.

Yeah, Zvex pedals are a little expensive for my tastes. I see how he justifies his cost. You’re paying for the paint job, for it being hand-built in the USA, and just for his personal engineering. Things that he values pretty high. And people buy them and he probably does 1/4 to 1/2 a million in sales a year, so he can’t be too far from the mark.

I’d throw in copilot fx, Malekko, mellowtone, and fuzzhugger and the brands they sell

I don’t mind it. It’s an extra complication in using that pedal, but I’m not going to let those kind of issues stop me from using awesome pedals like the HOG and the Frequency Analyzer.

Daisy Chains are highly impractical IMO. When you mix digital and analog effects, you’re almost destined to get noise. Plus you need separate power supplies for positive ground pedals like the Muff OD or most Tonebender type fuzz pedals.

Dedicated power supplies with isolated outputs are the best.

Yeah, all the power is shared on that box. It’s a matter of the Dunlop being poorly designed. The Voodoo Labs is far superior and can handle a lot more.

The Voodoo Labs PP2+ has 2 outputs that put out 250ma, and 6 that put out 100ma, and they’re all isolated from each other. For 18V you need to order a special two dollar cord for it.

It can do a ton of stuff. You can go for certain sounds like in the effectology videos, or you could think of it as a synth as use it for experimentation

EH People don’t post here much, you might be better off to email them.

the simple solution is to drill a hole and add a stereo jack to it, that you’d wire into the potentiometer the same way as pictured. You’d then need a stereo cable to plug into your expression jack.

You might need to clip the one wire on the jack though I’m not sure which one.