Forum Replies Created
-
AuthorPosts
-
julianModerator
can you hold down the tune fsw while playing to get a sort of continuous tuning of the internal oscillator?
julianModeratorQuote:Quote:that’s what I was thinking, but wouldn’t it thus be labeled carrier?um… this EHX we are talking about. They called a knob ‘Hazarai’
good point!
at least they don’t call delay time knobs “rate” like some manufacturers!
julianModeratorthat’s what I was thinking, but wouldn’t it thus be labeled carrier?
julianModeratorQuote:Indeed I will. So what’s the mod input for Rick?yes, this
julianModeratorI wonder what the mod input is for
julianModeratorthreads merged! (I wasn’t sure which one to reply to!)
I’m really curious about this. I’ve wanted to get a second frequency analyzer (one for my synth board, one for my guitar board) for a long time, but now that this is out I’m kind of interested in this. I’m guessing it is fully digital, so I’m kind of wondering about the sound quality. If it is analog with digital control, it’s only 9v, which raises questions about sound quality- specifically clean head room, as 9v analog ring mods can be kind of dirty.
I’m taking it the sideband thing allows you to only ring modulate part of the signal, which could be interesting.
julianModeratorQuote:coming from an ehx administrator?! surely not haha!EHX Forum Administrator.
None of us actually work for EHX. Well, there are a few administrators who have (EHX Staff) in their name, but they never post.
I’ve actually never owned a pedal reverb myself, only delays. . . if I were to get one I’d take looks at the following:
EHX Cathedral, Holiest Grail (discontinued I know)
Malekko Chicklet
Danelectro Spring King (also discontinued)julianModeratorQuote:like i’ve said before, we need an XO or pog2 size box w/ a .50 caliber w/ a 12ax7 and a el34An EL34 would require a couple of transformers and would take it way beyond what a double XO could do.
A 50 caliber would be cool in the double XO though. . . say: gain, volume, low, mid, high, and give it active and passive inputs for good measure, along with two speaker outputs.
julianModeratorWell anything’s possible.
On those guys there is probably a gate signal being generated in the circuit. If you could figure out where to cut that gate signal and replace it with your own, it’d be pretty easy. If you want a midi-clock in, then you’d need to get a midi to gate converter.
julianModeratorYeah, it’s a trimpot problem. I believe Analogman, Ron Neely, and Howard Davis all do trimpot adjustments to get it to 550ms. But they’re all in the US. There is probably someone in Europe who can do it. Maybe Puretube?
julianModeratorI’d take it back to the store and get another one. . . it sounds like a faulty unit.
julianModerator9s feel like wet noodles to me
January 6, 2010 at 6:19 pm in reply to: Using stereo pedals with one amp – possible on studio? #106142julianModeratorQuote:Just a quick observation…The Blackstar HT-5 has a balanced line-out which I have already used to record in mono. So I’m thinking that maybe it’s possible to split the signal of this line-out (with a normal mono-to-stereo splitter) and get this split signal to go through the pedals’ L/R inputs. Then directly to the interface L/R. It seems to make sense, but I can’t test it yet since I haven’t got the pedals…
Does it sound doable?
Yes, except you don’t need a stereo splitter, because your stereo electric mistress doesn’t need a stereo input, it takes a mono input and makes it stereo. The only stereo pedals that have stereo inputs are delays, reverbs, and pan pedals.
The downside to using your line-out is that you don’t get the sound of your power amp or speakers in the mix, only your pre-amp. If that bothers you (you’d have to try it out and see if you like it) then you’d want to put your stereo pedals after your microphone.
Oh, and as said, the POG2 is not stereo.
julianModeratorafter I saw this post I tried it with my bass and by HOG, and it sounds cool, but not quite like a rhythm guitar. Sounds more like keyboard power chords. I think that’s because single bass notes have a different attack than strummed guitar notes AND because bass strings have less harmonics than guitar strings, and since the HOG can only add organ harmonics or subtract your original harmonics and can’t add a string’s harmonic series it can’t quite turn a bass into a guitar. (Put a capo on the 12th fret of a bass and try to play it like a 4 string guitar and you’ll see what I mean.) Though maybe an EQ and a compressor before the HOG would help out on that. Short slap back delay could possibly help on the strumming thing.
January 6, 2010 at 4:26 am in reply to: Using stereo pedals with one amp – possible on studio? #106120julianModeratorBut it still comes out of the speaker mono- no left/right separation. Though using both channels on a Fender at once is awesome for getting a better tone or simply for blending different effects.
-
AuthorPosts