I found the schems at musique.com:

Well the most important things to the saxophone sound are:

Attack: attack is up to the player. Of course this is hard to emulate on guitar. On all the attack pedals you set the attack time, where really it needs to be variable. Probably the best thing is to do pinky or volume pedal swells. In a Television song they do this to great effect on the song Venus to get sort of a trumpet sound. David Gilmour was also pretty good at that. The other thing is that the tonality of the sax changes with the attack, something that an envelope pedal with a very quick response time could help with.

Waveshape: saxophones wave shapes are more square than guitars. Fuzz pedals help a lot there. In fact there are some recordings I’ve heard where I find it hard to tell the difference a sax and a guitar that’s simply been distorted.

All I can tell you is that I have a red font Russian and I LOVE IT. Way better sounding than the Polyphase or Phase 90 IMO.

Solves ALL problems. And the PP2+ comes with one or two 3.5mm adapters itself.

It would suck not to use some really great pedal just because it has different power requirements than a BOSS pedal.

I have a couple of DOD pedals that use 3.5mm power, and I wouldn’t get rid of them just because of that.

Technically I could replace the power jacks, it’s an easy mod, but I’ve never found it to be that big of a deal.

Could have been my set-up, but I’d hit it, and suddenly it was like my guitar disappeared. Live that is. It was great for recording.

The old danelectro pedals all sounded cool or weird but had bad bypass.

The new danelectro pedals don’t have any problems like bad bypass or volume drops but they are all BLAND.

I loved the French Toast but the volume drop KILLED it. If they’d make a TB French Toast with no volume drop, I’d eat that up.