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HainoMember
heard your music and downloaded right away really like your stuff man now i just have to transfer those files onto cd and then onto my show
this may take awhile but eventually it will be played!
Haino
cheers!HainoMembersounds really awesome ill have to try it out at my local music store haunt! :rawk:
HainoMemberare you serious!!!!!!??????? man?
or are you pulling my leg? lol
:freak:
wow it comes out the same month as my birthday i guess thats my next present lol!!!also i recently picked up a Roland dr3 drum machine.
get a load of this: i plug my dr3 into my big muff pi and route it through my polychorus and old ancient delux memory man i love some of the sounds i get especially if i downtune my bass drum and add tonnes of muffy distortion and i use double track or flange with some controlled feedback and delay. Also sometimes i cut off the feedback at 12 0clock and add heavy swerly vibrato either with a whammy bar on my guitar ( guitar recorded and harmonized with moving harmonies and sustained natural chords)
or with analogue tremolo.another cool trick i use with a digital mixer and drum machine is called no- input- mixing!
how u do this is first route your drum machines mono jack into a mixers mic input or out put
after that route headphone jacks into the mic preamp stage directly or into monitor outputs!
be careful at first with your noise levels because you may go alittle deaf with your head phones on :doh:
play all of that what i told for tricks through a high gain amp with very fine tuned settings!
back off if you have too much reverb or low end gain (DONT BLOW YOUR AMP PLZ!)
but this style of noise making i found out originates from the early 60s late 70S JAPANESE FOLK PSYCH MINIMALIST MOVENT KNOWN AS “ONKYO” CHECK IT OUT ON YOUTUBE OR WIKIPEDIA.
BEST OF LUCK
hAINOHainoMembercool pedal they should add some synthetic scale modes such as the kokinjoshi scale( a three octave japanese scale) the iwato scale and maybe an arpeggiator mode or sequencer mode with some added reverse echo or reverb. but what they should add to this is a seperate foot switching feature or extra add on preset pedal with volume/depth/ intensity and/or feedback controls.
just a thought i had running through my head these last couple of nights.[img][/img] :rawk:
nice talking to you folks take care talk later.
HainoHainoMemberalso ive seen johnny winter a few times. at his age hes still kickin ass on that slide guitar of his.
i think when i saw his show he was playing that gibson firebird guitar.HainoMemberIm seeing pearl jam and mudhoney on september 15th at copps coliseum
im also seeing Kyuss in toronto the next day. all of the original members are reuniting for a small tour
HainoMemberoh ok i saw his face!. he looks like a next door neighbour of mine.
lol
cheersHainoMemberwell it doesnt have to be pro, if you have some stuff recorded whether it be lo fi or experimental or rough work i dont mind.
HainoMemberHere is my setup:
El Degas Rocker(rickenbacher copy)-Dunlop crybabywah-microsynthesizer-polychorus-Orange Crush Amp.
i get wild sounds out of this stuff!
hope your all well.HainoMemberthanks Ron!
HainoMemberits the big box version.
HainoMemberjust two amps
my black susan which is a crate gx212 and my agent orange which is an orange
crush 15r
both are transistor and work well.
ive had the crate for 12 years and its still loud as ever.HainoMemberman you guys are smart i think i will try that out at the music store
to see what happens.March 6, 2010 at 3:31 am in reply to: how do i get a better sound out of my lpb1 pocket pedal #108223HainoMemberthanks i appreciate it liberty belle
HainoMembernews flash guys they are guitar players and trippy highly respectable guitar
players at that not just demo dudes, and if any of you guys stepped up and dida jam session it would be even cooler duh!
so stick that in your peace pipe and smoke it!
duuuuuuuude.
oh yeah and canada rules! :clap:
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