We have not tested the Howitzer at either 9VDC or 12VDC. Most likely it won’t work at 9VDC but 12VDC should work. Make sure the output plug is center-positive and the 12VDC power supply is capable of supplying at least 1.5A.

First thing is check the Fade-out parameter setting. Maybe this is set very high? Fade-out is a secondary mode setting, so to check and change the Fade-out setting, do the following:

1. Press and hold the PAGE button for about 1 second. Release PAGE when it blinks rapidly. Now you are in Secondary Page mode.

2. Press and release the VALUE knob until the two left digits display FD. Should be three presses of VALUE.

3. The right two digits indicate the current Fade-out time. If it shows OF, then Fade-out is disabled. If it shows a number, then fade-out is enabled the number represents the fade-out time in seconds. If a number is displayed, turn the VALUE knob counterclockwise to OF.

4. Exit secondary mode by pressing the PAGE button.

Try again to stop a loop.

By the way, if you’re recording a new loop, you will need to press the PLAY/STOP footswitch twice to actually stop playback. The first press closes the loop and sets loop length. The second press stops loop playback.

Also, make sure the QUANTIZE button is not lit at this time. If QUANTIZE is lit, the 95000 might continue recording to finish out a bar.

Thank you for alerting us to this issue. We are looking into it.

The tonal differences between the DMM and Nano DMM have to do with input impedance. The older DMM has a lower input impedance equal to 100k. Depending on what is plugged into the unit, for example guitar straight into the pedal, lower input impedance might result in darker sounding dry and wet signals because the lower impedance might roll off some high end or treble.

The Nano DMM has a higher input impedance of 1M. Depending on what’s plugged in, for example guitar straight into the Nano DMM, the higher input impedance allows more high end to be retained.

Outside of the input circuit, LEVEL gain stage, and bypass circuit of the Nano DMM, the audio signal paths are identical between the two units.

Both the DMM and Nano DMM operate internally at 15VDC. The 24VDC DMM regulates the internal voltage down to 15VDC while the Nano DMM boosts the internal voltage to 15VDC. So the headroom is the same between the two.

We have version 1.0 of the 1440 app available at the following link:
https://drive.google.com/file/d/1NcH2EDes8eBmpYNJ0fki6EmYrBZ_H0fW/view?usp=share_link

Version 1.0 works with Mac OS 10.14 on Intel Macs.

At some point, we will make older versions of the 1440 app available on ehx.com.

Punkymep, the Disaster Areas SMARTClock Gen3 can receive MIDI Beat Clock and output a tap signal. Here’s a link: https://www.disasterareadesigns.com/shop/p/smart-clock-gen-3

Using a TS Cable, connect the SMARTClock’s Output A to Super Pulsar’s TAP/CLK IN jack. Make sure the Super Pulsar is set to External Switch mode, which it is by default.

We’ve looked into this problem and unfortunately Garageband does not provide a way for you to change the volume of the audio when it bounces to an mp3 file, even if you’ve reduced the volume of the stereo mix with Garageband’s master volume fader.

There are a couple of work arounds:

1. You could reduce the volume of all the instruments in your Garageband project and then bounce the tracks.

2. After you bounce the mix in Garageband, you could start a new Garageband project, import the mix you just created into a track, reduce the volume of the track and bounce the mix again.