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Flick (EHX Staff)ModeratorQuote:I hope the gain knob allows for equalization of output when the DMB is engaged. I had the MB, and liked it for the most part, but returned it based on the way the blend knob functioned–when it was dialed back, it boosted the dry signal as it reduced the volume of the delays. This meant that disengaging and engaging the MB resulted in fluctuations in overall volume if repeats were set to be lower in volume than the dry signal. A dealbreaker for me.
Anyone know if the gain control on the DMB functions like a level control a la the DMM?
Yes the GAIN knob allows you to equalize the volume when the effect is engaged vs. true bypass mode.
Flick (EHX Staff)ModeratorQuote:can you hold down the tune fsw while playing to get a sort of continuous tuning of the internal oscillator?Yes you can do this, it’s monophonic tuning though.
Flick (EHX Staff)ModeratorWhile in the UB or LB modes the Mono output will have whichever mode you are set to, the R output will have the other band.
For example, if you are in UB mode, the UB effect will come out of the MONO output, the LB effect will come out of the R output. Vice verse when you set it to LB mode.
Flick (EHX Staff)ModeratorQuote:I wonder what the mod input is forThe mod input allows you to use an external carrier signal. So you could use one instrument to ring mod another instrument.
Flick (EHX Staff)Moderator[/quote]
These diagrams show exactly what’s going in the Ring Thing while in RM (Ring Mod), UB (Upper Band) and LB (Lower Band) modes.
RM mode is the second diagram. In RM mode you will have both the upper and lower bands present, along with your original signal if mixed in using the BLEND knob. So if you have the Ring Thing to frequency shift your signal by 200 Hz and you put in 400 Hz, your Ring Mod output will be two signals one at 200 Hz and the other 600 Hz. Mix that with your dry signal and you have three frequencies present.
In UB mode (the third diagram), the lower band is eliminated so that the effect only produces the upper band frequency. In the above example you would only hear the 600 Hz signal plus your dry signal, no 200 Hz signal.
In LB mode (the last diagram), the upper band is eliminated so that the effect only produces the lower band frequency. In the above example you would hear only the 200 Hz signal plus your dry signal, no 600 Hz.
Flick (EHX Staff)ModeratorQuote:I’m gonna take a stab in the dark guess here that when you play a note, press and hold the tune footswitch and the carrier auto-tunes to the note you are playing?!!!This is correct for the Ring Mod, Upper Band and Lower Band settings.
Play a single note on your instrument. Then press and hold the PRESET FSW for a specified amount of time (we’re still tweaking how long that should be) and the Ring Thing will tune its internal waveform generator to that note. It makes retuning the Ring Modulator’s frequency very easy.
Flick (EHX Staff)ModeratorDoes the volume of the noise change with the Volume knob setting? Meaning does it increase as you turn up the volume?
Flick (EHX Staff)ModeratorQuote:oh, so now its your band when her name is first! just kidding, is there any real birthname relevence?You’re right actually. I’m just the guitarist. Swish came up with the name and the concept and writes the majority of the songs.
The names have no relevance to our real names at all. “Swish and Flick” is taken from a phrase used in Harry Potter.
Flick (EHX Staff)ModeratorQuote:hey flick, is there a swish (person)?There is, she’s the singer in my band.
Flick (EHX Staff)ModeratorIf you turn the DRY PAN knob to fully counter-clockwise (fully left) the inputs will go to the correct outputs: Left In to Left Out, Right In to Right Out.
If you turn the DRY PAN knob to fully clockwise (fully right) the outputs will be reversed: Left In to Right Out and Right In to Left Out.
If you center the DRY PAN knob, both outputs will be a mix of the Left and Right inputs.
The DRY PAN knob only changes your monitoring, it does not change what is recorded to each track.
Flick (EHX Staff)ModeratorWe are looking into the cause of the problem, there are a couple of things that might cause it.
The DXMB (Deluxe Memory Boy) will definitely not have this problem.
Flick (EHX Staff)ModeratorYes we have shipped a certain number of Microsynths and Bass Micros with that extra hole.
Flick (EHX Staff)ModeratorQuote:Anybody have any idea what the input impedance is? I’m interested in using it with piezo pickups which like to see at least 1Meg ohms.The input impedance is 2 Mohms.
Flick (EHX Staff)ModeratorBrian is the guy on the left with the beard, he wrote My Dad is Rich. I’m the one playing guitar in the video doing the Auto-tune stuff.
I’m also in the Mole/Screaming Bird/22 Caliber videos.
Flick (EHX Staff)ModeratorQuote:Okay thanks for the response. I did not turn any trimpot. As I said, I liked the mod depth straight out of the box.What I want to know is: is it normal for the Memory Toy to have some added white noise to the repeats after about 10-11 o’clock or should I send it back?
I really really like the sound of this delay pedal, but the noise can be annoying.
It is normal with most analog delays for some white noise to be added to the delayed signal. The longer the delay time the more noise. It’s hard to say if your unit is worse than other Memory Toys without hearing it but yes the added white noise is normal.
Have you had other analog delays or is this your first. If you’re moving from digital delays to an analog one I could see how this noise would sound wrong.
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