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Quote:i think it was because we couldnt make him realize that if you split a payment of 200 into 5 people, everyone has to pay 40… ^^
:facepalm:
on the fx loop – what about micro POG?
or some ring modulator.. .crazy stuff…LucasKinch – nice and clean! and i love how your bassplayer is almost facepalming… this is so forum-like…
anyway, adumo, i’d totally buy phaser over flanger any day
but whatever suits you, broYeah, i’m even thinking about getting another one
i use it for more classic phasing (not very subtle tho) and for kind of a vibe tone (that’s how it’s set on the photo) and i don’t really like resetting it again and again, in the live situation it’d be a pain in the assnice, stonergrunge. the RMC wah looks cool
what do you use for a power supply?anyway – here’s mine… i totally don’t know what i’m gonna do with the free space… but i have a few options
yeah, the white finger is awesome, one of my best purchases ever
BUT i don’t use it for rhytm distorted guitar, because it steals some of the agression of the sound… sustaining leads, nice fattened up clean tones… yeah, that’s something else! dude… awesome
it actually looks pretty good… not like on the official photos… congrats big time!thanks guys
the idea to own both is actually pretty nice and since the NYC reissue is quite cheap – why not we’ll seeabout the TS circuit… i don’t lov it so much but it’s part of my double distortion pedal, visual sound jekkyl and hyde.. the older version. And i love the distortion part
and buying anothe OD seems kinda crazy to me to have mig muff (or two, yay), TS overdrive and more of a classic distortion and another OD seems like an overkill to me (i’m not one of those guys who prefer to have 6 dirt pedals)well i was hoping that you’ll answer my question
thanksi’m not completely sure it’s a big muff, but i heard that he used it on that solo…
about that boosting… i have tubescreamer-ish type of OD before my muff… when i kick it on, the muff looses some of it’s low end and acts more like a genuine high-gain pedal… also amazing tone, but not so amazing as john’s (obviously… duh…)
if i had some extra money, i’d probably experiment with ODs much more… but i’m a student having a hard time finding any part-time job and currently i need to pay for drivers education… but i’ll keep your advise in mind! thanks, man
PS: i was just wondering if it isn’t the NYC – Sovtek difference…
ok, so here is the story…
simply – i have the latest russian BMP and in al it’s goodness, i miss one thing..
i think it’s the tonality of Sovtek muff… but accoring to me it lacks this searing head-blowing, smashing craziness that the NYC version could have… i’m talking about something like john Frusciante’s lead tone in “Strip my mind” from Stadium.
it could be me… or the pedal
i have it set like sustain and volume on 1 o’clock, tone on 3 o’clock.What do you think… could NYC version get me closer to that sound? i think i could trade easily… only thing i’m affraid of is that the NYC could be much more noisy… and i’m a little bit afraid of missing this crazy low end response that Svotek has… damn it’s hard!
Wicked look
how the hell did you came up with the idea?damn that green LP looks wicked
anyway… congrats! some clips would be awesome :metal:
hey, that looks rad! im looking forward for some videos ASAP
Well The Edge does it, doesn’t he?
also John Petrucci was talking about it… whatever, just saying what i heard i must say – i don’t have any experience with other than real double tracking oh, ok, i was just wondering
because when people try to recreate doubling effect live by micing amps in a certain distance from each other, they usually use really shorter tims… whatever i believe you
or some ring modulator.. .crazy stuff…
i use it for more classic phasing (not very subtle tho) and for kind of a vibe tone (that’s how it’s set on the photo) and i don’t really like resetting it again and again, in the live situation it’d be a pain in the ass
