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Viewing 15 posts - 31 through 45 (of 797 total)
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  • in reply to: Hacking the 2880 OS #118263
    Cryabetes
    Participant

    Most definitely. Come back anytime.

    in reply to: Hacking the 2880 OS #118261
    Cryabetes
    Participant

    Mine syncs fine to my sequencer as long as I don’t do dumb things like monkey with tempos mid-song (not really a problem). Did you have Quantize on when you tried to sync yours to your synth/ableton? I don’t really know why they didn’t make quantization the default when using the external clock, I can’t really picture a good reason for not quantizing to the nearest bar when using an outboard clock. Also, did you have ASIO as your sound driver when using Ableton? I know that can cause problems if you’re using … basically anything else. What synth were you using? Were you using the 2880 as the master clock or slaving it to the synth’s tempo? Also with the ableton setup, were you at all able to sync it to the external clock? What model keyboard were you using?

    As for me, I’m Sam, just a musician that saved up four hundo and bought one, not associated with EHX any further than these forums. Whereas Ron / Bart / Kitrae / Melx / Fender&EHX4Ever; take care of most of the other pedals, I’m fairly specialized in debugging the headaches the 2880 can cause. I’m also terrible with a soldering iron. I’m totally the kid that takes his toys apart and cries when they don’t fit back together. My music’s pretty alright though.

    in reply to: Nobody in Canada wants to sell me the Superego #118260
    Cryabetes
    Participant

    Ebay is no good?

    in reply to: Electro-Harmonix in Prometheus #118259
    Cryabetes
    Participant

    very damn cool. although it’d probably be more accurate to use a bitcrusher, don’tcha think? Say, when’s EHX gonna make one of those? Maybe license the design from the guy that does the Wrong Side of Uranus pedal and put in the POG2/Talking Machine preset system.

    in reply to: Hacking the 2880 OS #118246
    Cryabetes
    Participant

    Not to be argumentative for the sake of being argumentative here, but it’d take some doing. Here’s my thinking behind the apprehensive response to rewriting the firmware on the 2880 to allow it to clock-sync via usb:
    1 – why? A five-pin midi I/O-to-USB adapter is decently cheap, doubly so if you have one on a midi keyboard you’re using for the computer (in this hypothetical setup)
    2 – have you tried doing “instant” program changes with an outboard sequencer at all? no good with the current firmware – it doesn’t change instantly, it ramps up and down on the speed, which screws up your start/end points – they’ll no longer align on the sequencer and the 2880.
    3 – have you tried hotswapping loops via USB while the 2880 is playing? playback glitches, the computer reads errors, it’s a mess. No bueno.
    4 – Not worth voiding the warranty on a $400/discontinued unit.

    The only applications I can even think of for that setup are tempo swaps/mapping (see point 2) or loop swaps (see point 3). Curious your thoughts on these points.

    in reply to: 2880 Midi Sync with Roland drum machine? #118236
    Cryabetes
    Participant

    The settings are right and the outs/ins sound correct.
    you should have EXT CLOCK and QUANTIZE selected prior to starting a drum pattern though.
    the click LED should then sync with the 606’s tempo.
    Try to time the button press for NEW LOOP with the start of a new cycle through the pattern.
    Likewise with RECORD
    Then press PLAY to when done recording (or timing out the loops)
    If you’re just timing out the loops (which I’d recommend for general testing) try pressing PLAY slightly before the start/end point of a cycle. I’m not familiar with the 606, but on the electribes I use, I generally aim for step 13 of 16 (beat 3 of 4). The QUANTIZE LED should blink rapidly until the start of a new cycle. Hope this helps.

    in reply to: Superego effect loop #118212
    Cryabetes
    Participant

    don’t worry about the credit – i just troubleshoot in my spare time, and the company is song/album/production based, rather than gear based. If you’re feeling grateful and have a buck or two to spend, buy some tunes or talk them up to your friends (or, hell, just have a listen).

    in reply to: Superego effect loop #118014
    Cryabetes
    Participant

    aajHl.png

    alright
    so here’s a signal diagram. You could make it like this with two A/Bs, 2 Y-cables and a few patch cables. Each of the stacks of 3 boxes is one AB switch, each circled plus is a Y-cable. It’s probably a bit messy.

    BvxGy.png

    personally, I’d remake it in a breakout box. you’ll need 8x 1/4″ jacks, 1 enclosure, 1 DPDT stomp switch and some wire. If you want to make it powered, you’ll need an LED, a resistor for said LED, and to change out the DPDT for a 3PDT switch.

    If you were going to be building it inside the superego enclosure, you’d need a fair bit of room and probably a surface mount soldering station.

    edit: herp, I mixed up where the send and return jacks are on the S.E. for those pictures – in the diagrams above, consider the jack above the output the ‘send’ and the jack above the input the ‘return’. Apparently I also mixed up the direction signals go into the chorus/M.Pog as well.

    in reply to: Superego effect loop #118046
    Cryabetes
    Participant

    you could do it without soldering too, but you’d be buying two a/b switches and a few y-cables (and presumably a few more patch cables). Just more cost effective to make the part rather than patch it together from utility equipment.

    Heck, you could probably just add a switch that controls where the bypassed signal goes when the superego isn’t on if you’re handy with a soldering iron and there’s a bit of room inside the SE.

    in reply to: Cathedral or Freeze for quick sustain? #118077
    Cryabetes
    Participant

    you could get two cathedrals and run them in parallel, alternating which you’re infinite-sustaining on so you don’t activate the tap tempo.

    From a more budget minded perspective, have you considered any of the old digital delay pedals like the DOD DFX9 (digital delay)/DOD DFX91 (or DFX94) digital delay/sampler, or even a Digitech RDS rack? setting the repeat rate really short and putting one of these in ‘repeat hold’ mode is pretty similar to the freeze (and can arguably be called the predecessor to the grain synth technology of the Freeze/SuperEgo.)

    Basically you’d be making super short loops – maybe 12-20ms – and tapping them again to turn the loops off (they’ll die off in accordance with where your “repeats” knob is – more repeats, longer fades). These can be picked up for around $40-120USD on ebay. The RDS racks, you’d need separate footswitches for on/off and repeat hold, but you’d also have the option of using momentary footswitches, which would be nearly identical to the freeze’s non-latch modes. This is what I use my DFX9 on my synth for (that and quickly changing the release value for when I need longer string fills.) The cheaper models of the RDS units are going to be the 900, the 1900, the 3.6, and the 1.8.

    in reply to: Superego effect loop #118076
    Cryabetes
    Participant

    You can do this with a DPDT AB switch (or two AB switches) and two Y-cables. How’re your soldering skills? I suppose if you’re making this yourself you can forgo the Y-cables and just add more jacks.

    It’ll go as follows:
    the guitar (or whatever effects you’re using before the super ego/chorus+M.Pog) should be connected to the first switchable input.

    The ‘A’ channel of the first switchable input and the superego’s effects send should be summed with a Y-cable (or multiple jacks wired together) and go to the Chorus input (and the chorus out should be connected to the M.Pog input)

    The ‘B’ channel of the first switchable input should go to the Superego’s input.

    The M.Pog’s output should go to the second switchable input.

    The ‘A’ channel of the second switchable input and the Superego’s Output should be summed with a Y-cable (or multiple jacks wired together) – these then go to the amp, or whatever effects you’re running after the superego/chorus/micropog.

    The ‘B’ channel of the second switchable input should go to the Superego’s fx return.

    I’ll probably be able to make up a diagram after I’m done at work if this doesn’t make sense.

    in reply to: More Muff, More Problems #118075
    Cryabetes
    Participant

    you could always replace the switch and that should fix the problem – switches do wear out (or not all of the pulls change), which would result in a scenario like the one you describe. If you aren’t familiar with soldering, I’d suggest buying parts to make a couple bypass or mute pedals to build your skills a little first. It’s a very worthwhile skill to have for music, and fairly easy to learn for simple soldering jobs like changing out switches.

    If you aren’t comfortable with that or don’t want to learn, take it (or send it) to a tech, it should be a fairly easy (and cheap) operation, maybe $5-10USD in parts and $10-20USD labor.

    in reply to: Make use of a broken pedal – Question #118189
    Cryabetes
    Participant

    you are welcome sir. glad I could be of service.

    you can also use that to have a ‘tame’ or ‘volume rolled back’ setting before a particularly dynamic overdrive/amp overdrive. sound guys will hate it because “it sounds noisy” but screw that attitude, who wants to sound like the 80s “way too clean” sound, amirite?

    in reply to: The Quad – EHX 4-Track Digital Recorder #118188
    Cryabetes
    Participant

    sick of all these single loop/overdubs with undo loopers. make it a sixteen track looper with sequencer that’s fully midi-able.

    in reply to: Make use of a broken pedal – Question #118171
    Cryabetes
    Participant

    alright. Since I’m going to be a little lazy and not put up a diagram, I’ll talk you through this.
    I’ll refer to the connections as follows:
    Input tip/ring/sleeve: iT/iR/iS
    Output tip/sleeve: oT/oS
    Potentiometer lugs: P1/P2/P3. P2 is the wiper leg.
    Footswitch lugs will be numbered one through nine, right to left, top to bottom, like so:

    7 4 1
    8 5 2
    9 6 3

    the switch mechanism will go in groups of three (it’ll either make connections between 1-2, 4-5, and 7-8, or between 2-3, 5-6, and 8-9)

    You’ll make signal connections as follows:
    iT to 2
    P3 to 1
    3 to 7
    P2 to 7
    oT to 7

    Ground connections will be as follows:
    P1, iS & oS to the enclosure (I like to use one of the bottom plate screws but that’s probably a bad practise)

    The following conntections shouldn’t be attached to anything:
    iR, 8, 9, 4, 5, 6

    If you want an indicator light, use 4/5/6. don’t forget to put in a resistor to ground between the LED and the ground.

    Worst comes to worst, draw it out from the directions above. Otherwise wiring diagrams for this sort of thing are available all over the internets.

Viewing 15 posts - 31 through 45 (of 797 total)