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CryabetesParticipant
@ken.ficara – do you have a CF card in your 2880? I know without it they act screwy.
CryabetesParticipantyou using the original power supply with that guy?
July 30, 2011 at 3:02 am in reply to: what’s the difference between the stereo and deluxe electric mistresses? #101900CryabetesParticipantone’s digital and one’s analog also. but that’s not really apparent in the sound.
CryabetesParticipantQuote:I’d love a basic, 20-40 second looper. since i don’t want to get a delay with a built in looper,why do you put these ridiculous limitations on yourself? Just get a delay with a looper. you don’t have to use the delay if you don’t want to, no one is making you do it.
CryabetesParticipantQuote:Thank you sir!Wow, that explanation will help me with other stuff as well as the DMM TT issue :thumb:
I wonder if the Effects Send is affected by the Blend knob? Will be checking this out..
It would still be cool and simple if the pedal had a stereo Output jack, so I could use a TRS to split the signal there.Yeah. but if you get something that does ping ponging delays, and also takes an external footswitch to take the tap time, you can use a Y-cable on that to sync them and get the analog+fx loop+ping pong stuff.
might be worth looking into. I think the DD-5 has the tap switch in. there’s got to be others as well.
CryabetesParticipantA couple different ways to do this
For a dry out + wet out:
The effects send could be used as a ‘wet’ out, and something that splits the signal before it goes into the delay could then be used as a ‘dry’ out.For a wet out + a mix out:
Put a Y-cable in the send- return one of those to the ‘return’ jack. the other branch of the Y is your ‘wet’ out. The output jack is your mix out.For all three: A Y-cable into the input will provide a ‘dry’ signal out.
A Y-cable into the send jack will provide a ‘wet’ out
and the output will provide the ‘mix’ out.just a quick note- splitting the dry signal may require a higher gain because you’re splitting the signal amplitude in two.
Regards,
CrybeetusCryabetesParticipantQuote:I wish EH would just fly Bill out to NAMM to do their demos for them.+1
CryabetesParticipantcheers.
CryabetesParticipanthey
checked out your video .
This is my take/two cents on it.
1- Where did you buy it from? This is more for my own curiousity because that’s the older model, and if it was a consignment or bought used, the seller probably knew about the behaviour
2- The meat and potatoes of your problem: sounds like the bypass switch. Basically, the bypass switch connects a wire to one of two contacts. Guitar pedals typically have two [DPDT] or three [3PDT] of these happening at the same time. Occasionally the switch will fail in a manner where one of the ‘subswitches’ within a stomp switch will either reverse or fail to connect.That’s what seems to be happening in my observations, anyhow. Something to test, to see if it is indeed that, would be, while the pedal is on and ‘working’, disconnect the power. if, by turning it on and off [by inserting/removing power], it would do the ‘halfassed’ mode, it’s not the switch and is something internal in the pedal.
Best,
SamCryabetesParticipantshould’ve come to the forum first. we’re the ones who tell you to void your warranty and fix your own pedals.
CryabetesParticipantawesome. I’m curious as to what it’d read for a white-noise shot. or vocals. any clue what the market price is going to be yet?
CryabetesParticipantQuote:In addition you can input your own scales for the sympathetics strings. You press and hold the DRONE/TUNE FSW, then play each note you want the scale to contain. The Ravish will track each pitch and recreate it when the sympathetic strings ring out. If you then save a preset, your scale will be saved along with the all the other knob and parameter settings. If you only play just one note while holding down the DRONE/TUNE FSW, the Ravish retunes the currently selected scale to that note but if you play more than one note then it begins creating a new scale from the notes you play.whoa.
That’s huge.so say I have something that doesn’t use some sort of standardised pitch like the Korg ER-1 [where all you have is a ‘pitch’ knob and a remodulating option- no defined values or anything], I can tune the sympathetics to be drones of whichever drum patches [provided I initially set it up/train it to the drum kit i’m using]?
If so, kind of an interesting method of doing the reverse of a slicer effect.
CryabetesParticipantas a bare-foot player, i’d have really loved softer and much less painful footswitches when i was using the fs controller for the 2880. as it is, i’ve switched to running it with one hand on my synth rig.
CryabetesParticipanthow do you think it sounds on synth or drum machine?
CryabetesParticipantYou should contact EHX and send it in for service. To me, sounds like the power jack is partially busted or in the process of breaking completely.
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