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Viewing 15 posts - 121 through 135 (of 320 total)
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  • in reply to: Electro-Harmonix Pizzeria and Bar? #110418
    bill ruppert
    Participant

    better be a good steak!

    Quote:
    A $28.80 (2880) Steak perhaps? ;P
    in reply to: Electro-Harmonix Pizzeria and Bar? #110414
    bill ruppert
    Participant

    HOG…Pulled Pork
    Soul Preacher…Fried Chicken and Waffles.
    Black Finger…Blacken Catfish Tenders
    Riddle…The soup of the day.

    in reply to: protective coating on the casings #110314
    bill ruppert
    Participant

    An instant fix to this problem is to use an acrylic finish.
    The one below is a liquid you apply with a clean cloth and it drys as a clear hard varnish.
    No buffing,it just drys clear.
    I have used this stuff for years on pedals,guitars and antiques.
    It is an instant clear coat.

    http://www.acehardwareoutlet.com/ProductDetails.aspx?SKU=12411

    in reply to: New MicoSynth and Bass MicroSynth Templates #110293
    bill ruppert
    Participant

    Great to hear that!
    Enjoy, its one of the best pedals I own.
    Bill

    Quote:
    I just got a Micro Synth (XO) today, and have been playing with it for hours. These sample settings are excellent! Great, great stuff. This pedal is a stone gas!
    in reply to: Superstition Intro Sound??? #110247
    bill ruppert
    Participant

    I played the intro to superstition on this video using a Ring Thing.
    https://www.ehx.com/forums/viewthread/3459/

    Quote:
    Hello!
    Does anyone have any input on this?
    I am trying to replicate the keys sound that Stevie Wonder uses on the intro to Superstition.
    I am using a Clapton Strat thru a Fender Twin Reverb.
    I have a POG2 (just bought it last night and caused me to only get 3 hours of sleep!lol),
    and a Boss ME70 multi effects pedal.
    Any thoughts, ideas, or input would be greatly appreciated!
    Thanks!
    bill ruppert
    Participant

    andtrea
    I would try a POG2 set for original + one octave above.
    Order would be fuzz, pitch shift, delay and reverb.
    Slide around one one or two strings.
    Bill

    in reply to: Big Muff History – Mike Matthews and Jimi Hendrix #110143
    bill ruppert
    Participant

    Your web site is mind bending great!
    Thank you so much for you awesome work.
    Your site help me date my Rams head Muff.
    There is nothing like it on the web.
    I urge everybody to check it out.
    Bill Ruppert

    PS I used a Big Muff as a hand drum on the last Effectology show.
    You may get a kick out of it!

    Quote:
    That’s an interesting story. I posted it here earlier this year in a Jimi Hendrix thread. I have been digging up info about this story for several years, ever since I learned the Big Muff actually came out in 1969, not ’71. Here is an article I wrote about it, including all of Mike’s quotes I have found over the years, and some things he, and others have told me.
    http://www.kitrae.net/music/Jimi_Hendrix_Big_Muff.html
    in reply to: Micro Synth or Bass Micro Synth? #110111
    bill ruppert
    Participant

    I have both XO units here.
    The bass unit has the top end of the filter set lower.
    The difference is just a few parts.
    There is no big magical difference in sound when I A/B them.

    For guitar I would stick with the guitar version.

    The difference between the Enigma and Riddle pedal is much more apparent.
    Filters are very different

    in reply to: Big Muff History – Mike Matthews and Jimi Hendrix #110103
    bill ruppert
    Participant

    Shortly after, I heard Jimmy ran off to England. with the manager of the Animals who dug him. The rest is history, and it was in England that Jimmy became Jimi Hendrix and quickly developed his super unique electric space style. I was fortunate enough to see The experience when they first came to New York City. Jimi called me up and said” Hey Mike come on down, I’m playing at xxxx ( I forgot the name of this small club ) Dynamite!

    Whenever Jimi went into a recoding studio in New York Ciy, he invited me to hang out. I did this at 3 different studios, with the last one being Electric Ladyland, the one he funded and owned.

    Long story… Well here’s the rub. When Jimi invited me to hang at studio # 2 ( I forgot the name ) I went down to show him a new device I was working on. It was a 4 inch ceramic cased speaker that I screwed into the body of a guitar. it had small power amp. So, some portion of the guitar signal was bled into this little power amp and into the screwed in speaker which made the guitar vibrate and easy to get instant hot sustain. I took it to ask Jimi what he thought of it. When I walked into the studio, there on the floor, plugged into his guitar and amp, was the Big Muff. I told Jimi I made these and he said he just bought it at Manny’s and I said yeah Henry told me. I then showed Jimi the guitar with the screwed in speaker with feedback circuit. he tried it and said “hey Mike, I think you’ve got something here.”

    Now WHY did I tell you this whole story ? Well, some time in the late 70’s, a guitar magazine writer that interviewed me asked me “when did Electro-Harmonix come out with the Big Muff ? Not thinking too much about this I blurted out around 1971. Well, it was really 1969. Over the years, Hendrix purists took this 1971 and said, Jimi couldn’t have used the big Muff because he was gone by this time. Well, I wanted you to know the real facts. Enough of this story for now. I’ll give you some other good ones another time

    Mike

    PS Our latest expansion of the Big muff is 2 units we came out with several months ago. One is the Bass Big Muff. Here, we spent a lot of time modifying the Big Muff so it was ideal for bass guitar, and did not lose low end. It’s a hot seller. The second new version is the Big Muff with Tone Wicker I wanted to hear again what the Big Muff sounded like if I hadn’t inserted those 3 roll off capacitors. So, we put in a switch so that the user could have the option of taking them all out or leaving the Big Muff the way it was. This time, the raspiness option sounded good to me, and it helped a lot to open up natural; feedback between guitar and amp. Then I tried a second thing, We put in a switch to completely take out the strong tone control of the Big Muff. This gave a really wide sound. Now coming out soon is a blockbuster movie “It Might Get Loud” starring the 3 icons Jack White, The Edge and Jimmy Page. Jack builds a one string guitar and feeds the signal though a Big Muff, and then blares though an amp…and gets loud and moves a cow in the pasture. I can imagine where this sound will step to when Jack tries this same thing though a Big Muff with Tone Wicker. He’ll start a stampede

    in reply to: Any one for tea and an English Muff’n? #110074
    bill ruppert
    Participant

    Cool i hope you dig it.
    Set the amp clean and watch top and bottom controls and enjoy!
    Great box. I don’t go to a session with out it. I used it on 4 spots today!!!
    Bill

    Quote:
    Thanks for the tip Bill!

    I just ordered one. Like 30 seconds ago. Looking forward to getting it.

    I’ll keep those tips in mind.

    I’ll probably use it in the Orange. UK Amplification meets US UK Overdrive…got to be a winner!

    in reply to: Any one for tea and an English Muff’n? #110072
    bill ruppert
    Participant

    Hands down my favorite OD pedal.
    I have used it on countless sessions and after countless years of playing I can say that pedal rocks.
    it sound just like a classic Brit tube amp turned up.
    I use it into a totally clean amp sim and it records like a DREAM

    Keep the treble at 9 o’clock as well as bass.
    Thats the trick.
    Mids between 12 and 2 o’clock.

    Great Fratellis Chelsea Dagger Jumpstyle sound.
    Bill

    bill ruppert
    Participant

    Not sure but my my wife would love it:-) !!!!!!!!!!!!!!!

    All kidding aside that would be called “prepared guitar” and I used to use very thin foam under the strings to sound just like a banjo.
    Some guys use paper clips or paper for sitar sounds.
    The Hog will be fine with anything!
    Bill

    Quote:
    Bill-
    I use rubber clerk’s thimbles between my strings at the bridge to get a “fretless/upright” sound- would these interfere with the HOG’s tracking at all?
    1010017739.jpg
    bill ruppert
    Participant

    Thanks Fried!

    bill ruppert
    Participant

    Hi Julian,
    That would pitch shift the signal down one octave.
    Its the same input signal just down one octave.

    Its a different sound than the pitch following ring mod.
    Bill

    Quote:
    So with the Ring Thing what happens if you go into pitch shift mode and shift a note an octave down, leave your expression pedal there, and keep playing?
    bill ruppert
    Participant

    Dario
    Yes the Bass Big Muff works GREAT as a hand drum!
    You need the Pulsar or the his will be constant and not suonding as a pulse.
    As for EQ I boosted 125Hz by 15dB and 1.25K by 15dB when recording.
    If using an amp just turn up the bass and upper mids.
    Bill

    Quote:
    Hi Bill,do you believe that I’ll achieve the same effect of hand drum by using the Bass Big Muff too?or it can be reached only by using the guitar big muff?also,it’s compulsory the use of the LPB-1?

    thank you very much,

    Dario

Viewing 15 posts - 121 through 135 (of 320 total)