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  • in reply to: Effectology Episode 13: Pink Floyd Synth Effects #97667
    bill ruppert
    Participant

    loopman
    Its just a 1/4 plug with nothing connected or wired in.
    Any Radio Shack store will have them.
    Below is a link:

    http://www.radioshack.com/product/index.jsp?productId=2131038&filterName=Price&filterValue=under+$3.99

    Bill

    in reply to: Bill Ruppert’s Stereo Electric Mistress Demo #105627
    bill ruppert
    Participant

    Thanks guys for watching!
    Its a great pedal.
    The combo of flange and chorus creates all these very cool notches when in a slow sweep.
    It really animates a frozen chord or notes held in infinity.
    Thanks again for the comments.

    Bill

    bill ruppert
    Participant

    Thanks pedaltragic!

    When ever you create a feedback loop with an effect the output of that effect will go sky high, unless padded down with something like a signal pad.
    Make sure your amplifier is turned down to zero when the loop is created.
    Slowly bring the volume up to the level you want.
    If you have your amp or recoding setup with the volume up, the huge surge in volume could blow a speaker.
    ALWAYS start with the volume at zero!!!!!!!
    Great question.
    Thank you for bringing that up.
    Bill Ruppert

    Quote:
    Excellent tutorials. They make me just want to leave work NOW and spend hours fiddling with my fx. (The few that I own.) I was wondering if there are any technical risks with setting up the feedback loops demonstrated in part 14 of your demos?
    in reply to: Effectology Episode 13: Pink Floyd Synth Effects #109219
    bill ruppert
    Participant

    Thanks tuskbane!

    The portamento effect in the V256 is very different than the glide effect in the HOG.
    The HOG must be in freeze mode before it will slide to the next note.
    The V256 does it automatically when you change notes.
    The sound of the effect is very different as well.

    Bill

    Quote:
    Hi awesome effectology

    sorry if this question’s a bit silly but would the portamento (synth) at the end of this effectology not be able to be done with the hog? not the tone of the synth but like a hog and micro synth together work for the portamento part?

    in reply to: RING THING VIDEO! #109024
    bill ruppert
    Participant

    The settings are shown in the video for each example.
    They are the exact settings I used for the audio clips.
    Bill

    Quote:
    any chance you could share the ring thing settings? …
    in reply to: RING THING VIDEO! #109021
    bill ruppert
    Participant

    Thanks fjurden!

    That clip was just the Ring Thing and small amount of delay from a Stereo Memory Man.
    I played it around the 7th fret with out a capo.
    If you dig that tone you will love the Ring Thing!
    Hope you get a chance to check one out.

    Thanks again,
    Bill

    Quote:
    bill – great sounds! someone on this forum said it best “when bill plays with ehx pedals, i go from ‘i’m interested’ to ‘i am selling mom’s jewelry”

    digging this ring mod video especially: http://www.youtube.com/watch?v=Vxv6aKPQ6rY&feature=channel

    around the 2:30 mark – the tone is very very *schweet* can you elaborate on the signal chain? ring with pitch shift > delay > reverb? sounds too like you might be using a capo? really really love that tone!

    keep up the *great work*

    bill ruppert
    Participant

    Thanks Ted!
    Not sure about a Micro-Q as I do not have one but if you could I would step up to a Q-tron plus or the Riddle.
    Riddle if you want the distortion and Q-Tron Plus for the effect loop.
    Both great pedals.
    Bill

    Quote:
    Brilliant stuff again Bill! I particularly loved the birdsong!

    Do you think it’s possible to do any of those things with a Micro Q Tron?

    It’s just that I’ve asked my wife to get me one for my birthday and, after seeing your video, I don’t know whether to change and ask for a Riddle or Q Tron +

    You have pushed me into a state of confusion Bill………. :worried:

    bill ruppert
    Participant

    Electro-Harmonix Effectology, Vol.14: Envelope Filter Oddities

    In this episode I explore finding new sounds using envelope filters. My goal was to find new sounds not associated with the normal auto-filter pedals.

    “Canaries in a Q-tron”

    Creating a feedback loop with Q-tron Plus I was able to produce realistic chirps of birds.

    The “Signal Pad” pedal controlled the amount of signal that is fed back into the Q-Tron.
    The rate of the chirps is controlled by adjusting the peak control on the Q-Tron. I looped several passes of bird sounds into the Stereo Memory Man in loop mode to produce the sound of many different birds.

    The sound of water was produced by two phase shifters modulating the white noise from a Big Muff. The different phase sweeps in combination produced a sort of bubbling effect.

    The EHX Orchestra was done using a POG2 and a Cathedral reverb pedal. The held chords under the flute sound were produced using the infinite mode of the Cathedral.
    The bass was done using the POG’s -1 octave slider.

    Below are the settings I used:

    1EHXCanarieschain.jpg

    2Canaries.jpg

    3babblingbrookjpg.jpg

    4EHXOrhestrascenecopy.jpg

    5PogFlute.jpg

    6fluteCathedral.jpg

    “Scratchy Old Record Effect”

    To produce the sound of an old scratched up 78rpm record I started by using a Big Muff and a Stereo Memory Man in loop mode.

    I looped the noise from a Big Muff turned up to maximum with nothing attached to the input. This created white noise for the background. I looped 15 seconds of this.

    To create the scratches and pops I plugged and unplugged the Big Muff several times while overdubbing on top of the white noise loop. I then used the filter knob to thin out the sound, and the delay knob to raise the pitch a small amount.

    The vintage-sounding guitar track was created using just a Riddle pedal. Plugging any cable into the exp. jack will stop the filter from following the guitar input, turning the pedal into a straight filter effect. Using the high pass mode with the addition of the on-board distortion produced the sound of a small dusty old tube amp.

    The Riddle pedal will also produce a great tiny AM radio sound with slightly different settings.

    Below are the settings I used for this clip:

    7ScratchyOldrecordjpg.jpg

    8riddlerecord.jpg

    “The Enigma Synth”

    To transform an Enigma or Riddle pedal into a pulsating rhythmic synthesizer, I created a feedback loop and I inserted a Pulsar tremolo pedal within that loop.

    The output of the Enigma was run into a small Muff overdrive. The small size Muff is a great overdrive for synthesizers as it adds bite without totally squashing the signal.

    The final pedal in the chain is a Stereo Memory Man delay.

    Below are the settings and wiring diagram for the “Enigma Synth”:

    9Enigmasynthjpg.jpg

    10enigmasettings.jpg

    11Pulsarengma.jpg

    Never judge what an effect pedal will do by what you have heard it will do.

    Experiment and you will find new sounds not yet discovered!

    Thanks for listening,
    Bill Ruppert

    in reply to: Frankfurt Musikmesse: new pedals! #108818
    bill ruppert
    Participant

    Ruppert Musical Instruments Basswitch
    Wow its got my last name.
    I never heard of that company.
    Bill

    in reply to: RING THING VIDEO! #108800
    bill ruppert
    Participant

    Thanks friedjesseradio.
    You will find this pedal is VERY musical and not the old fashion computer noise ring modulator.
    The pitch shift in is the best EHX has ever had.
    I am a studio musician living in Chicago,so I don’t work at the EHX factory.
    The 800 miles each way dive every day would kill me:-)

    I will stay here in Chicago and do studio work.
    Have fun!
    Bill

    Quote:
    oh and before, i wasnt sure if ift could do what i wanted, or if it would even be useful for me, but because of you bill, now i know, i want it!
    in reply to: Effectology Episode 13: Pink Floyd Synth Effects #108746
    bill ruppert
    Participant

    Thanks sonikbliss!
    I am working on a new video as we speak.
    Thanks for writing.
    Bill

    Quote:
    Great work Bill! This is fantastic information, keep it coming!
    bill ruppert
    Participant

    Best thing is play the guitar first and if it feels like a dream buy it.
    Its all it how it feels to you.
    The “How It Feels And Sounds To You” is all that matters.
    Bill

    Quote:
    Hi Bil,i think to buy the new fender american special strat hss,because my budget is low and i read
    that this guitar have a good value for money.
    for you is a good choice? related at this topic
    ciao from your fan
    bill ruppert
    Participant

    Hi Mario,
    Here are a few fun things to look at.
    They are about modular synthesizers.
    This is VERY related to what I do with effect. pedals.
    I grew up on modular synthesizers and saw the direct correlation to guitar and effects.
    Bill

    http://en.wikipedia.org/wiki/Modular_synthesizer

    http://beausievers.com/synth/synthbasics/

    http://en.wikipedia.org/wiki/Effects_unit

    Quote:
    Hi Bill nice to meet you, (sorry for my english).
    compliment again for your sounds, for me is a new world.
    have you some suggests for me about this topic for my study
    Ciao to you and other friends
    bill ruppert
    Participant

    Mario, Grazie per il vostro posta! Buona fortuna con la vostra chitarra. Avete scelto il migliore strumento musicale di tutti! Arrivederci Bill Ruppert da Chicago.

    Quote:
    Hi at all i’m mario from venice italy. I’m an absolute beginner guitar player, recently i saw the vol. 12 Uillean pipes the sound is fantastic someone told me the exact devices and the related regulations
    because this sounds are the my pricipal passion of my studies.
    ciao
    in reply to: Effectology Episode 13: Pink Floyd Synth Effects #108104
    bill ruppert
    Participant

    Years ago I had a Morley “Oil Can”delay pedal.
    It was GIANT!!!!!!!!!!!

Viewing 15 posts - 181 through 195 (of 320 total)