The compressor in the clips shown in the shimmer video were used to increase the “sustain” of the guitar.
I wanted the guitar signal to be heard for as long as possible.
A compressor will help achieve this by watching the dynamics of the guitar signal.
As the output of the guitar starts to fade out the compressor will slowly turn the volume up so it seems as if it will ring for ever.
Of course there is a point where the strings just stop vibrating, but a compressor lets you hear the guitar for as long as possible and for as loud as possible while the strings are still vibrating.
Bill
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Hi Bill,
in the Christal shimmer,Christal slice and Symphonic examples,you show the settings for the Soul Preacher.I would like to understand what is the exact rule of it in every example or its function.Also,the reason that take you to use it.
Thanks Loopman.
The compressor is best as it keeps the attack of the guitar at a consistent level.
It does it it fast in millisecond of when you pick.
A volume pedal would chop off or remove the attack which is a different effect.
You would have to have a very fast foot to move it in milliseconds!
The overall flute effect can be done with out the compressor, but I found it sounded more like the real thing when it was in line.
here are some very Minimalist oscillations from the Flanger Hoax manipulated with a Memory Boy and a Stereo Pulsar. The were inspired by the Stanley Kubrick film 2001;A Space Odyssey . You can click on my pics to see some of my Paintings as well, I hope you enjoy the subtlety and grandeur of the Flanger Hoax.
Thanks Starglass7
I am really glad you dig the series and even happier you are learning a few tricks.
The effect at the front is a HOG holding in freeze a few notes.
Its going into a Stereo Memory Man/Hazarai in the modulated delay setting.
Hands down my favorite delay setting.
I was always was sad that mode only went to 300 milliseconds, until I figured out if you use the tap tempo it goes out to over 700 milliseconds or more!!!
I LOVE that pedal.
Thanks again.
Bill
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Bill! Great video as always. Thank you so much for these. I learn a lot about the effects. Sometimes I find these videos better than the conventional demos.
What are the effects used from 0.35 – 0.56 in the video? Is this just the Cathedral Reverb Infinite mode?
Thaks Narada.
What I do to keep things quiet is to run part of the chain before the preamp and the second half of the chain after the preamp and before the power amp.
Pedals like compression, distortion POG and HOG most often go in front of the preamp.
The volume pedal will be the LAST thing in that chain as it can silence any sound right before the pre amp.
Ambient effects like the Stereo Memory Man and Cathedral go in between the preamp and power amp.
This lets you distort the preamp if needed and still have a undistorted reverb.
That said you can change the entire chain up for certain effects, but this is what i start out with.
I do record direct.
For the entire Effectology series I have used a very clean fender Twin simulation and the amp.
Sort of a neutral sound.
You can hear what the amp sim sounds like by itself in the reverb show I did.
Its the first clip heard. http://www.youtube.com/watch?v=uAiUMx1Dsm4
.32 seconds in.
I like the Roland or Boss Fender amp sim.
Almost any unit out there has a Clean amp simulator.
Its just a very clean sound with nothing going on.
Hope that helps.
Thanks for watching!
Bill
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Nice job once again. I’ve really been enjoying going through the Effectology series. I especially like the atmospheric effects you’ve put together.
I have a couple of questions, and please forgive me if you’ve already covered them. First, how do you get such a clean signal with some of the longer signal chains you put together? I have been using a chain of a volume pedal, a HOG, and a Stereo Memory Man through a rackmounted stereo preamp/power amp. Recently, I added a Cathedral pedal and, occasionally, I will use some kind of modulation. It seems that no matter what amp I use there is an horrendous amount of hiss.
Also, I was wondering what you use for going direct. Do you use any kind of speaker simulator?
Thanks for sharing all the brilliant sounds. I look forward to more installments.
Thanks for watching.
Some will be short and some longer.
There was not much else to say on this one.
A full orchestra with brass and voices would be cool!
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very cool, i think it was a bit short though.
next suggestion is Effectology 16: Full Orchestra Band with Brass Section
Below are the pedal settings I used for the video “Fanfare for the Uncommon Pedal.”
I have always been moved by the music of Aaron Copland. “Fanfare for the Common Man” is a favorite of mine. I thought it would be great to be able to play some these sounds on my guitar.
Timpani Drums:
To capture this sound I used a Ring Thing as a pitch shifter, a Big Muff for a slight distortion and filtering followed by a Cathedral reverb for a big ambient reverb.
To start, I slightly muted the lower stings on the guitar using my left hand index finger at the first fret.
Lightly touching the string without pressing down on the fret produced a soft high harmonic when the strings were stuck hard with my thumb. I lowered the pitch of this harmonic down one octave with the Ring Thing. This produced the timpani drum note or pitch.
The Big Muff added harmonics to the note. I used its tone control to remove some of the very high frequencies.
For reverb I used the Cathedral Pedal in the Accu Spring mode. This produced a very smooth, long reverb.
I used a small amount of pre-delay. Pre-delay helps a percussive attack stand out in the mix as it separates the start of the sound from the reverb. In other words, it delays the reverb from being heard till after the initial attack.
Below are the timpani settings:
Horns:
The sound I chose for the horns is a combination of a trumpet and a French horn. For this sound I used a HOG for filtering, a Riddle for a brass envelope and a Cathedral for a concert hall reverb.
A POG2 pedal can be used in place of the HOG.
The sound of the horns can be changed by altering the start and stop controls of the Riddle pedal. Brighter will produce a trumpet sound and darker will sound more like a French horn or trombone.
Last in line was a Cathedral pedal using the hall setting.
Thats a great question.
When I get a few free moments I will set both units up and post a Ring Thing setting that matches the frequency Analyzer.
Bill
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Hi Bill, I have the new XO Micro Synth and a Ring Thing on its way to me. Any advice on how to set the Ring Thing to reproduce the first electric piano effect you demonstrated? Would the controls effectively be fairly similar? I’ve never used a Ring Modulator before, but I’d really like to catch that sound.
Thanks glad you dug them Toonster!
Its such a great pedal and dont forget it was designed by David Cockerell, the man that designed the EMS synth used by Pink Floyd and others.
I LOVE that pedal.
Bill
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I finally tried them today, and some of the settings were really amazing, some were already in my favouriteslist without ever seeingf the templates..
I think Bass MicroSynth is my most versatile pedal, gives me a very wide range of very different sounds:)