This has already been brought up! I think it would be cool though, but less likely since the Russian BMP has been discontinued at this point. I have a couple Russian BMP’s and I modded one to green specs and it has a “tone wicker” (i know it’s not the same but whatever) switch. It is sweet!

Glad I own two of them! They are my favorite Muff’s, sad to see them discontinued.

I’m going to try and by super precise. I do not mean to be demeaning if it sounds that way! With the fader at 100% (which is what I think you were talking about), record with the dry volume at 50% then when you record your dubs on that move the dry volume to 100% to compensate. That make sense? It seems impractical but that’s the only way I can think of answering your question. Remember after you record into a track the fader is no longer a volume knob but a feedback knob where below 50% repeats and fades out and above 50% feedbacks into continual distortion. I will continue trying to help you, but I haven’t played that much with my 2880 yet because I don’t have the foot switch! Good luck!

*Upon rereading your question, why don’t you try recording the loop then mixing it to the mix track, then record another layer and just keep bumping them down to the mix track. That might work?

Also you should always record your first track with the fader at 100% (the track not necessarily the dry one). I also think with what you are doing you should basically do this:

Record the first as I said, then when you get done bump to the second track (set the 2nd track fader to 100% and the 1st one to say 50% or 0% depends on if you want feedback). Then record you third layer just like the other ones on the third and then the fourth…then mix it down. So this way you can record 4 layers at a time bump them and then 4 more if you want! Hope this makes sense buddy!

You have to run a 1/4″ cord into the instrument input.

I’m going to assume you aren’t accidentally hitting both buttons on the unit (Giant fingers?). It could be a wiring issue, open it up and have a look. Maybe you could also try a can of compressed air and give it a good spray if you work around a dirty environment!

I have a:

LPB-1: Absolutely love it. Have used it all over my chain and never had a bad result. Can be used for anything!!!

Dr. Q: Don’t like it very much. Wasn’t too bad until I got a Bassballs now I never use it, I’ll sell it for $20 or $25. Any takers?

Bassballs: Very cool pedal that can make some crazy sounds. I like running a Russian BMP into this thing!

I also have a Small Clone, 2 Russian BMP’s, English Muff’n, and a Hot Tubes but I’ll leave those off since they aren’t Nano!

That is the same reason I sold mine the 2nd day I had it! Do you have it in the front or the end of your chain? I would suggest to try moving it or your other pedals around.

Simple reason why I like tubes. 1. Dynamics – better and more responsive, I think harmonics/sustain are just warmer with tubes. 2. The Volume Knob on your guitar – you can roll it back and the distortion disappears, you can turn it up and the distortion comes back. It’s all preference and the drawback to tubes is noise!!! I also really like hybrid products. I have a Rocktron Silver Dragon and have fallen in love with it’s combo of Tube/Solid State options. Plus like many others have stated, tubes look cool. On the other hand, I don’t care if its tube/solid state as I am usually looking for a certain sound or feel and will use whatever it takes to find that tone.