Warning: despite awesome influences, we are crap. We don’t have any recordings at the moment, but I’ll se what we can do.

I play in a band called Amen The Animal . . . .Kind of a new wave of rock music. Along the lines of Rock/ Prog/ and pop all in one. We use mostly electro harmonix effects. Almost any delay you hear comes from the memory man deluxe! Check it out though . . .www.myspace.com/amentheanimal. I use a gibson les paul vintage mahogany and a dual rec (1991 handwired!) and oragne 4×12. We did the top two recordings on the myspace ourselves. I also have a Hiwatt lead 50 but i dont like to take it on the road. How bout you guys?

That’s pretty interesting… I find an LPB-1 can sometimes sweeten up a clean tone pretty nicely, but I need it for a solo boost, so I don’t use it as such.

all sorts of guitar based music really, loosely grouped under the ‘alternative rock/punk/indie’ banner I suppose.

my most recent recorded stuff in in my sig, but I play a lot of punkier/grungier stuff too.

Quote:

I happen to play alone (‘cos all we’ve got in Russia is screamo/emo/uber-death-shred) bands…. And it’s kind of a mix between psychedelic rock, ZZ-Top-style hard rock, avantgarde, hair metal and post-rock.
Sounds weird but cool
And it gives an excuse when I need to buy a pedal.

sounds excellent…I’m doing everything on my own at the moment, I like the freedom you get from it.

I actually have about 6 and a half hours of music recorded by me and my friend, it was about two years ago, and it sounds terrible…. Guys from the Laney thread on UG might remember
But actually, buying a hybrid amp and a big muff made me totally rethink what I want to play: before, it was brutal nu-metal, now, it’s become strange bluesy stuff. Ah well

Well, I have been recording lonesome for close to five years now. It’s called Lo-Fi, I suppose, even though I try my best for a hi-fi sound: http://www.myspace.com/wchurchkill

I also play in a drone band, which I quite like, and an instrument-swapping, blues-heavy ‘drinking band.’ After it gets too late to play loud, each member is given seven minutes to write a song start to finish and perform it with an acoustic guitar. Seriously, everyone should do this – some of the best and worst songs we’ve ever written have come as a result of that process, and it gives you an immediate framework with which to expand upon should you so decide. “Spilled Milk” on the Churchkill page got its start there, plus a dozen others that I either haven’t totally figured out where to go with or just haven’t gotten around to recording.

My band mostly plays covers, indie, rock and guitar pop, stuff that keeps the folks drinking and dancing down at the pub. Our own songs fit the same mold, we’re in the process of mixing a short demo.