It can do a ton of stuff. You can go for certain sounds like in the effectology videos, or you could think of it as a synth as use it for experimentation

I’ve never tried getting a resonator guitar sound out of it, but I don’t think so. There’s a cello effectology of it. Bass and 12-string it can sort of do, but I like the Zcat Polyoctaver way more for those since it has a delayed attack on the octaves making it more convincing sounding.

What I’ve heard it do pretty convincingly (mostly on the effectology series) are harmonica, cello, violin, a lot of synth tones, organ and whistling. I think using the envelope and filter sections are crucial in getting something else than just organ tones out of it. And a “less is more” approach to tweaking it.

it won’t do a better twelve string than the POG because there is no detune function, but i’ve used it as a convincing bass many a time and it can do a passable twelve string.

im having trouble imagining how a resonator sounds so i cant speak on that.

if you adjusted the filter and attack JUST RIGHT, and plucked the strings with your fingers, i can actually see a convincing piano coming out… but dont hold me to it because ive tried and i couldnt get it to work. thats something for mr. ruppert to tackle.

Maybe I worded it incorrectly. I meant the attack is softer like on a real bass guitar, not a “snap” like on a guitar.

As a cellist, it doesn’t quite sound like a cello – the notes are right, but there are qualitative factors that are lacking and the result sounds too sterile to my ear.
That said it’s a great synth approximation, and it’s equal to or better than a lot of MIDI cello patches I’ve heard.

Depending on what you’re doing it may be fine – I’d listen to https://www.ehx.com/blog/effectology-cello-concerto for yourself and decide if it’s suitable.