Home › Forums › Help/Technical Questions › The silencer hook up
- This topic has 6 replies, 3 voices, and was last updated 7 years, 7 months ago by Flick (EHX Staff).
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February 17, 2017 at 1:54 am #84788richvelocci@gmail.comMember
I just bought the silencer. I have a few Pedals connected to my effects loop and also a BOSS ME-70 a Mel9 and a Ravish Sitar not in the effects loop. I’m not clear on hooking up the silencer properly. Ihow do I hook it up with the effects loop and direct at the same time ?
February 17, 2017 at 1:42 pm #122617Flick (EHX Staff)ModeratorQuote:I just bought the silencer. I have a few Pedals connected to my effects loop and also a BOSS ME-70 a Mel9 and a Ravish Sitar not in the effects loop. I’m not clear on hooking up the silencer properly. Ihow do I hook it up with the effects loop and direct at the same time ?Thanks for buying a Silencer! I’m not sure I completely understand your question yet but it kind of sounds like you have pedals connected to your amp’s effects loop and you have pedals, like the MEL9, connected between your instrument and amp. Is that about right?
I want to mention at the start that the Silencer’s effects loop has nothing to do with your amp’s effects loop. Normally you would not connect the Silencer’s SEND and RETURN to the SEND and RETURN on your amp. More on this in a second.
A basic way to set up the Silencer is you would figure out which pedals are noisy and then put those pedals into the Silencer’s effects loop. You could, if it makes things easier, put all your pedals in the Silencer’s FX Loop. You would then connect a clean version of your instrument to the Silencer’s INPUT jack, the signal present at the Silencer’s INPUT jack is used by the Silencer to figure when to open and close the gate. You would then connect the Silencer’s OUTPUT jack to your amplifier’s input or a pedal that is not noisy.
If you want to use the Silencer to gate pedals that in your amp’s FX Loop, you can do that. You would connect the amp’s FX Send to the Silencer’s INPUT jack then the amp’s FX Return to the Silencer’s OUTPUT jack. The pedals that were in your amp’s FX Loop should now be connected to the Silencer’s SEND and RETURN jacks.
Hope this helps.
May 11, 2017 at 10:47 pm #122863TomsonNowMemberOK, so same situation. New Silencer and thought that the Time Based effects in the Effects Loop on my amp would hit the Silencer last and then back to return of AMP (Using the -Send / Return of of the Silencer NG) and the Boost and Drive Pedals would hit the Silencer NG (input and then Output to AMP)
I am really confused now.
Can you give me a suggested starting config for my pedals? (suggestion from to Manf.)
I have
1) Wampler Ego Compressor
2) Exotic EP Boost
3) OCD Fultone
4) Ditto Loop
5) Namo Holy Grail Reverb
6) TC Flashback DelayFinally the new Electro H Silencer NG
I know this is a lot to ask but need some basic direction.
Thanks
Tom
May 11, 2017 at 10:49 pm #122864TomsonNowMemberHere is a picture a pedals.
May 12, 2017 at 5:38 pm #122866Flick (EHX Staff)ModeratorQuote:Here is a picture a pedals.Thanks for the picture. You have setup the Silencer correctly, how is it working for you at the moment? If not that well, it might be a good idea to put the compressor in the effects loop instead of before the Silencer so that the output of the tuner goes straight into the INPUT jack of the Silencer. For some users, the Silencer works better when it receives a non-compressed version of your instrument signal.
May 12, 2017 at 11:01 pm #122867TomsonNowMemberSo what pedals in silencer loop? any order?
Then all the rest ending into input of silencer?
Tom
May 15, 2017 at 1:12 pm #122874Flick (EHX Staff)ModeratorQuote:So what pedals in silencer loop? any order?Then all the rest ending into input of silencer?
Tom
Based on looking at the photo of your pedalboard, I would put the output of the tuner into the INPUT of the Silencer. Then I would put the compressor, booster and OCD in the effects loop of the Silencer. Then the OUTPUT of the Silencer connected to whatever it is connected now, which looks your amp.
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