Oh see now we just have two completely different ideas running. I’d love to see both happen.
The Freezer
&
The Drone Boner
Well, ghost, no Drone Boner? I noticed your :facepalm: , so maybe the Drone is better? Anyway, I’m sure you have some great names in mind and look forward to hearing them.
I kind of just want EH to make a Micro HOG- 4-5 sliders with a few different voices, and then all the expression modes. I think for the “freezer” having octave down would be a must for me.
I kind of just want EH to make a Micro HOG- 4-5 sliders with a few different voices, and then all the expression modes. I think for the “freezer” having octave down would be a must for me.
I’d love that!
And with an EXP pedal jack which does whammy .. per voice! So say you have +1 octave and +3rd, it starts with both at 0 .. and slides them up like the whammy would when you pushdownthe EXP pedal.
Apart from that, I just want this nice and simple one I mocked up:
^ wow that looks very good. slap a detune slider on there and i’d be all over it haha.
Hmm I’ve allways thought detune was a bit useless, turn a chorus to minimum speed and you have the same.. but better But apart from that I think the -5th is useless,so that could be removed and substituted for a detune.
I think if they’d release this for a reasonable price (say.. $130 or something?) you wouldn’t be the only one all over it I’d think. There is a real hole in the market for affordable pitch-shifters. A hole that I’d like to see filled .. I can’t pay #400 for a HOG I’ll use twice per set.. it’s just not justifiable for me.
i can’t see this being only $130 if it releases. i mean, the micro POG is still pretty expensive and this is a HUGE step up in terms of features.
Hmm yeah you’re right, it’s a sad thing that!
But the insides might actually be quite similar, I don’t really know about the insides of the digital pedals, but without the EXP modes it would need a lot less processing power.. That would mean that it doesn’t have to be a lot more expensive, and as I said; there’s an enormous hole in the market there!
I kind of just want EH to make a Micro HOG- 4-5 sliders with a few different voices, and then all the expression modes. I think for the “freezer” having octave down would be a must for me.
I’d love that!
And with an EXP pedal jack which does whammy .. per voice! So say you have +1 octave and +3rd, it starts with both at 0 .. and slides them up like the whammy would when you pushdownthe EXP pedal.
Apart from that, I just want this nice and simple one I mocked up:
You need to put an expression mode button and expression direction on there and dry out as well.
When you talk about the whammy, do you mean that it would pitch up from the original signal to whatever slider you have it set up, or it would just increase in volume? I guess this would be in addition to the step and octave bend modes, which simply bends every voice from the starting point.
And + 5th isn’t useless. I love it. Use down octave bend + a 5th and suddenly you’ve got baritone tones!!!
I kind of just want EH to make a Micro HOG- 4-5 sliders with a few different voices, and then all the expression modes. I think for the “freezer” having octave down would be a must for me.
I’d love that!
And with an EXP pedal jack which does whammy .. per voice! So say you have +1 octave and +3rd, it starts with both at 0 .. and slides them up like the whammy would when you pushdownthe EXP pedal.
Apart from that, I just want this nice and simple one I mocked up:
You need to put an expression mode button on there and dry out.
When you talk about the whammy, do you mean that it would pitch up from the original signal to whatever slider you have it set up, or it would just increase in volume? I guess this would be in addition to the step and octave bend modes, which simply bends every voice from the starting point.
Yeah I mean pitch bend up, not volume. But I mean instead of one voice, that several voices can bend at the same time, that could be an awesome effect .. or total mayhem
Now that I think about it, that’d be an amazing effect, because the ratio between the voices would be different at different points along the sweep.
Say you’ve got the +1 octave and +2 octave sliders up and you’re bending up from a 440A.
1 octave up is 880, 2 octaves up is 1760 hz.
So when you have the expression half-cocked, one voice would be at 660, which is close to an E. The other voice would be at C#.
So when you’d sweep up you’d sweep through a multitude or dissonant, consonant, and microtonal chords, and probably get some mean torn speaker type throbs in there too.