- This topic has 6 replies, 5 voices, and was last updated 14 years, 2 months ago by .
Viewing 7 posts - 1 through 7 (of 7 total)
Viewing 7 posts - 1 through 7 (of 7 total)
- You must be logged in to reply to this topic.
Home › Forums › Help/Technical Questions › SMMH – How to get ‘Echoplex’ and ‘Space Echo’ vintage echo sounds?
I have to admit, even after spending hours on the SMMH, I don’t feel confident using it. Maybe I’ve a missing ‘echo gene’.
But I do love the sound.
So – how to get ‘Echoplex’ and ‘Space Echo’ vintage echo sounds from the SMMH?
What the hell is an SMMH?
Stereo Memory Man with Hazarai
wow, that’s a hard one… the thing is the SMMH is a pure digital delay. Although it’s very natural sounding, it is digital and it isn’t trying to simulate tape or analog character at all
so basically you can’t really get those sounds it would completely miss the tape saturation… sorry, bro
BUT if you don’t mind spending some more money, i can recommend you getting a Danelectro Reel Echo. that’s a good tape echo simulation, even though it’s digital, it – again – sounds very natural, has a decent modulation built-in, you can choose between solid-state and tube character and it can do this crazy oscillation
Thx for the tips, DarkAxel. Although the SMMH is digi, it has a kind of analoguey feel – or maybe that’s just ‘cos you can dial the tone off the echo….
You could probably dial in something on the SMMH, then it mix it with a full band, and no one else will notice that it isn’t an echoplex or space echo. C’mon, that’s the reality with this stuff.
The difference between using a digital delay, or a tube/tape delay is largely only appreciated by the musician using it. But that’s not negligible. I think gear choices should be driven largely by what inspires us.
So if you think that you are going to be more inspired by playing through a real echoplex or space echo, then you should get one. But if you just want an approximation, and feel just as inspired with it, then the SMMH should do just fine.
As you already mentioned, just roll off a touch of the highs around 11 o’clock.
Fender&EHX4ever;is right, there is little appreciation for the sound coming from the audience and a lot of it coming right from you… sometimes only the right gear can inspire the right ideas
of course the rolled off highs are probably the best way to go here… also experiment with different amounts of mixed-in reverb in the Echo mode