- This topic has 2 replies, 2 voices, and was last updated 8 years ago by .
Viewing 3 posts - 1 through 3 (of 3 total)
Viewing 3 posts - 1 through 3 (of 3 total)
- You must be logged in to reply to this topic.
Home › Forums › Help/Technical Questions › POG 2 levles question
when running my POG 2 after my preamp, I noticed that my levels would drop with it in. Setting up a new sound, if I turn down all but the dry, switch it in and out to match levels, the bring in octaves, at a certain point my dry sound would drop. It’s as though the dry, and octaves, were competing for head room. Everything had a compressed sound.
As an experiment I set it up at instrument level before my preamp, and there was plenty of level available with any combinations of settings. Going back to line level after my preamp, I brought it’s output down and made up for it after the POG 2, and things seem to be fine, up to a point..
I’m just wondering if there is some kind of level protection, sounding like compression, not clipping, in play with the pedal.
I guess the broader question is, is there a point at which input level is detrimental to best intended performance. If so, any way to determine that? Trial and error?
Thanks
Probably the best approach is trial and error. Typically a digital pedal like the POG2 has a headroom that maxes out at 2.7 dBu, I’m sure most amps send return outputs are significantly higher.
As far as I know there is no compression in the POG2 but there is definitely level protection, possibly the level protection is causing some strange things to happen to the mixer section of the POG2.
Can you control the send to the effects?
Yes I can deal with the levels. But it’s good to know I’m not doing something wrong for the sound, and that it’s basically designed for instrument levels. Thanks for your reply this explains it and now I can work with it properly