1.small clone
2. double muff
3. russian bassballs
4. big muff

was a while since i wrote that

ones i love

DMM, Pog2, MicroPog, English Muff’n, Big Muff Tone Wicker, Holy Grail, White Finger, Double Muff

ones i like but arent too sure about

Stereo Electric Mistress, 1echo and The Worm Xo

Wish List

another DMM
Memory Toy
Graphic Fuzz
Big Muff Pi
Metal Muff
Small Clone
Small Stone
Pulsar
Octave Multiplexer
Polychorus
Microsynth
Freedom Amp
Dirt Road Amp
And any other Vintage EHX that i can get my hands on

I’m not sure I can rank these in any well-ordered fashion, but here’s an attempt:

1. Pedals that immediately got put on my live board and haven’t left:

a) Micro-Pog, does exactly what I want it to, compatible with standard power supply.

b) Stereo Clone Theory, too noisy for recording applications, but live it’s great, if you want the Peter Hook sound, use the Peter Hook pedal. I essentially leave it on the entire time.

c) Nano Small Stone, my newest acquisition, after my Bluebeard Fuzz and set for very low speed, it has exactly the doomy/stony sound I wanted.

2. Pedals I often use live:

a) Metal Muff, only usable for my side project, but really shines there.

b) LPB2-ube, I use as a pre-amp for my Sunn Concert Slave. After I got the noise issue sorted out (tighten the screw between the tubes), it’s a great way to get some portable tube grind without hauling any of my big amps around.

c) LPB1 I’ve used live to push my Acoustic B200H, for some reason I like the sound of the LPB better than cranking up the gain on the amp, and it seems to keep it from clipping quite so much (I may be fooling myself here).

d) Nano Bass-Balls, again, only for the side project. Not the most flexible pedal, but the one thing it does, it does real well. Blend in some sub-octave from the Micro-Pog, and you can really get peoples attention.

3. Pedals I love to mess around with at home:

a) Flanger Hoax, I can’t imagine how anyone would use this live, but at home I can get lost in it pretty easily.

b) Nano-Muff, pretty unusable on bass, so no live applications. It has an okay sound, I like how touch-responsive it is, but I’m more likely to drag out a tube-screamer when I feel like messing with guitar overdrive.

1- Little Big Muff (Blended with my clean bass signal it’s so effing SYNTHesque!!)
2- Stereo Electric Mistress (My to-go Chorus/Flange)
3- Stereo Pulsar (Would somebody add STEREO IN‘s on all of the Stereo XO pedals, please?)
4- LPB 1 (That slight treble boost you get is really good after AND before dirt)

1) double muff …and 1)smmh
2) stereo clone theory

Let’s see…

first-run Holy Grail (big box/chicken-head knob; sold a year ago)
Polychorus (chicken-head knobs)
Nano Doctor Q (sold that one recently)
2880 w/ footswitch
POG
SMMH
another 2880 (still have both)
V256
Cathedral

Wow, eighteen months really changes a man. I now have some different ideas as to what is cool:

1. Q-Tron (it’s better than yours)
2. Big Muff (green Sovtek)
3. BMS
4. DEM
5. Stereo Polychorus
6. Small Stone (the same one as before, except that I no longer have it)
7. Stereo Clone Theory (which was traded for a vintage Roland Jazz Chorus amp, so I’m the winner)
8. Small Clone (modded, and not in an ideal way)
9. Big Muff (which was sold to a TalkBass denizen, modded to Civil War spec, and flipped again)
10. Big Muff (a duplicate of 9, which went towards a rather good-quality, if a bit boring, Fulltone Clyde Deluxe)
11. Bassballs (same as it ever was)
12. LPB-1 (once I figured out why my signal was weak, I had no more need for it, and it went towards my ring modulator, at the most expensive damn guitar shop I’ve ever encountered)

Well I’ve only owned 4 EHX pedals

1.1970’s Electric Mistress (broke and i hope it gets repaired one day :love: )
2.Small Clone (reissue sadly)
3.Cathedral
4.1970’s Small Stone