Excellent choice! A couple months after I wrote my post, I quit using the Boss OC-3, and got a micro POG and got the same Rolls crossover!! I got a cheapo DOD bass equalizer to cut way down on 55 hz, cuz the Rolls had such a gradual rolloff slope, leaving the first 5 notes on the guitar way louder than the rest on the E and A strings (at least in my situation). I also got a cheapo compressor too. I’m looking forward to the day when i can put more money into better EQs/compressor to make this rig much better.

Anyway, you can hear how it turned out in the studio on this record: http://steel-phantoms.bandcamp.com/ (“Curtain Call” and “Friend to Friend” were the OC-3. All the other songs are this Rolls crossover/Micro POG setup–but with the studio’s Keeley compressor instead of my crappy one). And you can hear it in a live studio set up here: http://blip.tv/seriousbusinessonbtr/steel-phantoms-serious-business-on-btr-ep130-6628628 and here: http://www.breakthruradio.com/#/programdetail/?blog=94&post=1557

I’m not sure how well that radio interview thing shows it off, but I tell ya, i’ve played over 20 shows with this setup, and people constantly come up asking if i was using a loop to play the bass guitar parts. Or they’re just dumbfounded. If you get some recordings up online with your rig sometime, post back here, i’d love to hear it. Go POG go!