Home › Forums › Ideas / Suggestions / Feedback › IDEA: BRING BACK THE ATTACK DECAY PEDAL
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November 3, 2011 at 10:54 pm #81952LGNRMember
EHX, i’d saw that video today, and got really excited about this pedal, i’ts incrediblely awesome
it’s really better than any reverse tape simulation I’d ever heard!but i tried over and over again, and i haven’t found it in anywhere, it became a relic.
plese mates look to this video, and help me make ehx sure they need to bring this back alive!
http://www.youtube.com/watch?v=ihsqM0MLRLg
EHX THATS ONE OF YOUR BEST PRODUCTS, DON’T LET IT DIE!
November 4, 2011 at 12:34 pm #116263The EH ManModeratorThe Pigtronix Attack Sustain is a better unit.
November 4, 2011 at 2:07 pm #116265LGNRMemberI don’t believe so, I tried it, it’s awesome too and very versatil
but about reverse tape simulation EHX attack decay is more dynamic and direct
besides, I think the decay sounds much more natural, organic… really goodboth are great, but really enjoy EHX pedals, principaly the vintage ones
I still prefer it, a great pedal that EHX shouldn’t give in.February 11, 2020 at 11:39 pm #125825renzulliParticipantTape Reverse effect – Expression pedal
I bought a Memory man with Hazarai last year and an AttackDecay pedal a while later.
A realistic Tape Reverse effect still seems quite elusive to emulate. Not quite satisfied yet.
The greatest problem creating a realistic Tpe Reverse effect seem to be:
1 – Playing a solo it consists of longer and shorter notes. Thus geting the Swell and Decay function correctly.
2 – With many pedals out there you cannot decouple the reverse function from the delay function (MemorymanHazarai, Line6 Pod, Danelectro BackTalk etc.)The Memory Man has a nice cutoff at the end of the tone, just like the real thing when the pedal control knobs are at their most extreme position. But the downaide of this pedal is that even at its most extreme setting the signal cannot be totally dislocated from the delay function i.e repeats. Another downside is that it takes a while for the signal to get started in this setting after picking the note.
Now the Attack Decay pedal does not suffer from these repeats since it is not coupled to a(digital/anaologue)delay.
But a real Tape reverse guitar swells slowly and then is suddenly cut off at its apex.
With the Attack Decay the signal fades away slowly at the end. This can be altered of course with the Decay-knob but then you get these staccato like repeats. Now it sounds more like the Japanese Banjo from the EHX instruction video(when trying to shorten the cutoff by turning back the decay knob counter-clockwise) which is not at all what you’re looking for when trying to do a Tape Reverse effect. Consequently you have to turn down the Attack-knob now too but that doen’t do the trick.Furtermore: When playing a solo it consists of longer and shorter notes. This is a problem for the Attack- and Decay-knob on the AttackDecay pedal.
Try playing the “Castles made of Sand”-solo correctly with this pedal. You’ll have a hard time.The manual states that an EHX Expression foot Pedal can be hooked up to the Attack Decay an give you direct control over each control-knob on the Attack Decay.
My question now is:
1- does anyone have some experience with an Expression pedal on the AttackDecay (decay/attack-knob),
2- and more specific in creating a more realistic cutoff at the end of the guitar note like on the Memory Man Tape Reverse effect.
3- Or could this cutoff (like the MemoryManHazarai)be achieved by other technical means? -
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