This is a delay that does many things and does it brilliantly. Over the years I have seen many effects that claim to do as much as this but fail miserably. Once again EHX nails it. Every function on the Canyon can be tweaked to whatever your imagination can conjure. Front loaded or effects loop? Works fine either way. For more “atmospheric” type sounds the reverse, octave, and especially the shimmer mode are mind blowing. If a vintage type of echo is wanted the tape mode does slap back. The Canyon has so much to offer. I have no reservations recommending the Canyon.
The delay type I use the most is the analog DMM setting.
I would like to use the Modulate setting, but it adds modulation to a digital (echo) delay.
I know you can add modulation to the DMM using the secondary function, but it’s not quick and easy to do when playing.
Would you consider changing the MOD setting to be based on the DMM? I suspect most users would prefer the warmer tone!
The Canyon remembers your secondary function settings even after losing power. So, you can set the modulation on DMM to whatever you like and it will remember. That allows you to have one type of modulation for your digital and another for your “analog”. You don’t have to tweak the secondary settings on stage.
