Yes, it’s a blatant rip-off of Julian’s thread. Sue me. All of these pedals are similar to SMMH/Voice Box/POG2
Knobs listed from left to right.

Triple Muff Pi-Basically, three pedals in one: a Big Muff, a Metal Muff, and a Fuzz Factory.
Mode-Three modes: Classic, a standard Big Muff sound; Modern, a Fuzz Factory style fuzz; and Metal, which is hopefully self-explanatory. The modes determine the functions of the X and Tone knobs, as well as the general sound.
Input Gain-Straightforward. Used to drive the distortion. Duh.
Clip-Slope of the clipping. On low settings, you get a mild overdrive, and on extreme settings, a square wave.
X-Classic: Volts, for that GeOD sound. Modern: Stability, which is very interactive with the Tone knob, for oscillations and other wackyness. Metal: Gate. Hopefully self explanatory.
Tone-Classic: Typical BMP tone. Modern: on low X settings, functions as a PW, and on higher X settings, controls oscillation pitch. Metal: SCOOP!
Volume– :facepalm:
Preset Knob-Like the POG2. 8 presets.
Mono in and out, expression pedal with a switch determining X, Tone, or both on the back. Preset switch and Bypass switch.

Polymod-Under each of these knobs is a switch. For the first three controls, it determines which LFO it’s modded by, and for the last three, it’s waveform or envelope direction.
Chorus Depth-Small Clone circuit, with variable depth. Switch determines between LFO1, LFO2, or envelope.
Phaser Depth-As above, but obviously a Small Stone.
Tremolo Depth-This one is interesting. The three positions are LFO1, LFO1&2, or envelope.
Rate 1-Waveforms are Sine, Square or sine modded by the envelope.
Rate 2-As above.
Envelope-Knob determines sensitivity, and switch determines Up, Down, or Stationary.
Preset Knob-Again, like the POG2.
Stereo in & out, Preset and Bypass switches. CV out from the LFOs and envelope, as well.

Synthbox-This is the most ambitious of these fictitious pedals. I dunno if this would work, but whadaya gonna do?
Oscillator-The guitar’s input is synced to a DCO, much like a Moog. Knob controls pitch.
Octave-Minimum is pure octave down, mid is regular, and maximum is octup. Between those values, you can blend octaves.
Ring Mod-Controls ring mod pitch.
Tracking-Minimum, ring mod tracks to the guitar, and maximum, is stationary. In between are some weird half-tracking effects.
Filter-Low pass resonant filter, knob controls cutoff. Resonance is preset, but controllable via a trimpot.
Mix-Dry/wet. Duh.
Preset Knob-Yet again, like the POG2.
Stereo in & out, Preset and Bypass switches. Expression in, switchable from oscillator freq to ring mod pitch to filter.

So there you have batch one. Imagine what you could do with those three pedals alone… Polymod with envelope controlling trem for a volume swell effect, with the LFO CV controlling the Synthbox’s oscillator pitch while the other LFO controlls volts on the TMP…

Yes, I realize this post was a waste of time. But it was a FUN waste of time.