Right, but that’s using filter modulation instead of pitch modulation. It might be repeating, but it would still be atonal. Which has its own appeal, but it’d be a very difficult-to-design box.
The only polyphonic pitch shifter ever made. It was prohibitively expensive too.
Well, julian, that really sounds ñ¼ber weird! Beyond attractive, I would say. Really more like an electronic washing machine-type effect.
If I remember, it was possible to create S&H arpeggio effects with the EHX Minisynthesizer from 1980.
I agree that any arpeggiator brought out today should be digital.
