Home Forums Tips, Tricks, Clips, and Pics Trying to add some breathiness/air to a POG2 synth sound

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  • #81615
    thebigcheese
    Member

    I used to be all about having as little as possible on my pedal board to cut down on noise, but then I started looking at some of the things you can do with the EHX pedals and thought it might be good to have access to some synth sounds without hiring a real synth player. So I bought a POG2, since that seems to be the basis for most of the pad sounds in the effectology videos, it has a relatively small footprint, and it has presets. Organ sounds are not too hard to get out of the pedal, but what I’m really going for is the pad sound from this song:
    http://www.youtube.com/watch?v=WPpDyIJdasg
    It seems to be a combination of synth strings and a vocal pad. I find that, by having a little under midway on the dry slider, a tiny bit of -1 octave, about 3/4 up with +1 octave, a little under half for +2 octave, attack all the way up, filter a little above half with the Q on 1, and a hint of detune, I can get pretty close, but I’m still missing the breathy vocal aspect of the pad. When I finally get a reverb, that will help add some space, but until then, all I have is an MXR 10-band EQ and a TC Nova Delay. I was thinking that some sort of slight fuzz might add a breathy sound, but I was hoping someone hear might have some experience they could share. Maybe if I don’t run the dry signal through the filter?

    #115307
    julian
    Moderator

    I’d say not fuzz, but a warm OD dialed in to be right on the verge of break up would be great.

    And yeah, reverb would do you a whole world of good.

    #115308
    thebigcheese
    Member
    Quote:
    I’d say not fuzz, but a warm OD dialed in to be right on the verge of break up would be great.

    And yeah, reverb would do you a whole world of good.

    Probably getting the Cathedral soon. I think it has more goodness available than the TC stuff I was looking at, as much as I like my Nova Delay. I experimented a bit with the dirty channel on my amp (an Orange Thunder 30), but not so much luck with that. Partially it’s just that it’s kind of a gritty amp when driven, but also it’s hard to dial in the right amount so that it doesn’t ruin the slow attack but also doesn’t get too crunchy when the sound gets louder after it builds up a bit (maybe a compressor would control that some). Also a problem in that I will have to change gain settings between the verse and chorus. Trying to limit the number of changes I have to make at every switch…

    I was thinking about adding The Worm to my board, since I could also use something of a similar nature, so I’m wondering if having that in a manual sweep might help with adding some overtones. Trying to get the most I can out of a single pedal so I don’t have to get a bunch of different ones for phase, chorus, etc (though The Worm doesn’t have chorus, sadly).

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